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Why Asian men in the west must pursue black and white women in 2020 and onwards.

2020.10.20 04:09 Heineken20202 Why Asian men in the west must pursue black and white women in 2020 and onwards.

So this post is not going to be make me any friends and I get it, it might make me a lot of enemies, but I ask that everyone hear me out. As an Asian myself, I would not say either white or black women are at the top of my list for the kinds of women I am most attracted to. If I had to describe my type, it be more like a Selma Hayek, Kim Kardashian, or Dua Lipa (yeah technically white but more on that later). Unfortunately, I live in this thing called reality and in reality, some groups of women have preferences.
Now you're lost, I have told you that I am not too crazy for the hot blonde or a Beyonce compared to a Roselyn Sanchez, so why the fuck would I tell you that it is mandatory for you to pursue black and white women in 2020 and onwards.
See, this has been a subject of great controversy on this sub. Well meaning guys call men who pursue white women to be white worshippers and say this sub worships white women. As I have said, I am not even the most attracted to white or black girls but at the end of the day, a hot girl is a hot girl. I am not passing up a white 8 for a Latina 6.
This is for Asian men in the west, particularly the United States.
Nothing else will put the American mainstream on edge and scare the shit out of them.
If we wake up tomorrow and see Beyonces and Brooklyn Deckers dating Asian guys a decent amount, you can bet your ass that nothing else is gonna hurt that stereotypically patriarchal WASP you love so much on this sub.
You get into an Ivy, it's cuz ur Asian.
You get a nice paying white collar job, well duh all Asians are smart.
You live a nice clean life, well all Asians are innocent.
You star in a movie about being an Asian, even if good stereotypes. Oh well, let's let them have theirs, wu cha Bruce Lee!
You have a hot blonde riding your dick, well all Asians are what the fuckity fuck fuck fuck holy garbage fuckity fuck!!! REEE!!!!....
Get my point?
You wanna keep your enemy up at night? There you go.
Quite frankly, attractive women of all other more "foreign" or "exotic" races (I have no other fucking way of describing this, pretty sure I can't say ethnic) in the west are suckers for white men, far more than white and black women are. Media is shoving that shit as the new trend and you know how easily people buy trends from media.
I know that Asian women get a lot of flak for worshiping white men but I think Latinas, Middle Eastern women who are not super traditional Muslims (aka westernized), and even Desi women are almost on par. If you think Asian women are bad with their white worship, look at how much whiteness is worshiped in Latin cultures and how Latinas are crazy for lighter eyes and lighter hair. Any guy who has been to South America can practically confirm this.
When women from more foreign ethnic groups come to the US, they have more to prove in order to fit in. While a hot young white girl who is popular and rich will be open minded to date a quality Asian guy that comes along, a Latina for example will feel more social pressure to date a white guy since she has more to prove in order to fit in. Anyone who has been around Middle Eastern people in Southern California knows how crazy white worship is in their culture, especially among the women for hooking up.
If you missed the underlying theme here, women outside of black and white women are more judgmental, pro-white, and more likely to hold your race against you.
For a while, black women suffered from their men leaving them for other races, now white women are experiencing this.
We all know what black women endure when rich and well off black guys go for women of other races in large numbers. Well, now with the trends, white women are slowly starting to endure the same thing. Every other white guy is either crazy for Asian women or Latinas or more ethnic white women (think Dua Lipa or somewhere from the Mediterranean). Your typical hot blonde is seeing her stock slip as media shoves Kim Kardashian as the new standard of beauty.
In other words, white women are starting to feel lonely too. The monopoly the hot blonde enjoyed in the 80s, 90s, and early 00s is gone. Now? White women want to experiment too.
Both black and white women are in a phase of being hurt by the double standard, they want theirs.
If black and white men can date Asian and other races of women, why can we not go for hot women of their race?
White women in particular are starting to get angry.
Why is it that white men can date and screw all colors but white women have to stay loyal? You can bet some white women are starting to rebel hard. Now it used to be with black men but these days, it is expanding more and more.
White and black women are ready to be our allies and they can make for some formidable allies for us.
I remember when Tyra Banks called out this Anna Lu on her show. There are a lot of black women out there who have seen racism up close and are sick of it, even when it applies to other races.
As for white women, you can believe that not all are fake Karens parading as SJWs. A lot of younger white women have been trained to hate racism and quite a few who are not the sorority girl stereotype tend to hate the privileged types who had it easy growing up too. Not all white women are entitled Karens and fake SJWs, quite a few were raised with good values and look past race when going for a guy. Ironically, you find them more in red states than a California but that is beside the point.
Ironically, it will make women of other races respect you more.
Look, I love a hot Latin girl or a sexy Middle Eastern woman myself but almost all in the US who are younger, attractive, and open to hooking up are white worshipers. I'd say women of these groups put even an Alt Right Nazi to shame in their worship of the Hitler ideal.
Now I have two choices, I can keep pursuing Latin girls who are more likely to be racist and hold a foreign appearance against me, getting lower quality there. Or, I can pursue a hot white or hot black girl who is less likely to have a chip on her shoulder. Now I date her and do well with her.
Overtime, I found that hot Latin girl was itching to get with me for that reason. Why is it that the same whiteness she worships going for me? Sad part is, women of other races see themselves as below white women and are envious of the hot blonde in the US, that is just a fact. When you throw in Asian, Middle Eastern, and Latin women in the mix; you get that insecurity and chip on their shoulder.
Now would I ever marry a Latina or Arab chick? Hell to the fuck no. I find them very racist towards men of my background. Have I fucked a few cute ones as a result of getting white girls? You bet.
Bring the hate, I just became a controversial figure on this sub, I know.
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2020.09.17 19:27 stake_pool Update and Few Thoughts, a (Well-Typed) transcript: Liza&Charles the marketeers, Voltaire kick-off, PrisM and Ebb-and-Flow to fuck ETH2.0 Gasper, the (back)log of a man and a falcon, lots of companies, September Goguen time, Basho, 2021 Titans, Basho, Hydra and much more thoughts and prayers

Hi everybody this is Charles Hoskinson broadcasting live from warm sunny Colorado. I'm trying a new streaming service and it allows me to annotate a few things and simulcast to both periscope and youtube. Let's see how this works. I also get to put a little caption. I think for the future, I'm just for a while going to put: "I will never give away ada". So, when people repost my videos for giveaway scams they at least have that. First off, a thank you, a community member named Daryl had decided to carve a log and give his artistic impression of my twitter profile picture of me and the falcon so that always means a lot when I get these gifts from fans and also I just wanted to, on the back of the Catalyst presentation, express my profound gratitude and excitement to the community.
You know it's really really cool to see how much progress has been made in such a short period of time. It was only yesterday when we were saying "when Shelley"? Now Shelley's out and it's evolving rapidly. Voltaire is now starting to evolve rapidly and we're real close to Goguen. At the end of this month we'll be able to talk around some of the realities of Goguen and some of the ideas we have and give some dates for certain things and give you a sense of where that project is at. The good news is that we have gained an enormous amount of progress and knowledge about what we need to do and how to get that done and basically people are just executing and it's a much smaller task than getting us to Shelley. With Byron to Shelley we literally had to build a completely new cryptocurrency from the ground up. We had to have new ledger rules, new update system, we had to invent a way of transitioning from one system to another system and there's hundreds of other little innovations along the way: new network stack and so forth. Byron cosmetically looks like Shelley but under the hood it's completely different and the Shelley design was built with a lot of the things that we needed for Goguen in mind. For example, we built Shelley with the idea of extended UTXO and we built Shelley understanding what the realities were for the smart contract model and that's one of the advantages you get when you do this type of bespoke engineering. There's two consequences to that, one, the integration is significantly easier, and two, the integration is significantly faster. We won't look at that same complexity there.
The product update at the end of the month... We'll really start discussing around some of these things as well as talk about partners and talk about how the development ecosystem is going to evolve. There are a lot of threads throughout all three organizations that are happening simultaneously. Emurgo, they're really thinking deeply about DeFi and they've invited us to collaborate with them on things like stablecoins for example but we're also looking at oracles (oracle pools), DEX and these other things and because there are already people in market who have made mistakes, learned lessons, it gives us the benefit of hindsight. It means we can be much faster to market and we can build much more competitive things in market and the Cardano community gets first access to these next generation DeFi applications without a lot of the problems of the prior generations and that's super beneficial to us.
You know, the other side of it, is that Voltaire is going to have a systemic influence not just on community funding but also the overall evolution and direction of the platform. The longer it exists the more pervasive it will become. Probably first applied towards the Cardano foundation roadmap but later on it will definitely have a lot of influence and say over every element aspect of the system including the launch dApps and these other things. Basically, long term, the types of problems that Cardano solves so that's incredibly appealing to me and very exciting to me because it's like I have this giant community brain with the best and brightest of all of you working with us to get us where we need to go.
You know, another thing that was super encouraging, it's a small thing, but it shows us that we're definitely in the right direction was that we recently got a demo from Pramod (Viswanath) and his team out of university of Illinois on a protocol they create called PrisM which is a super fast proof-of-work protocol and they wrote this beautiful paper and they wrote code along with it that showed that PrisM is a ten thousand times faster than Nakamoto consensus. If you take the bitcoin proof-of-work protocol, you strip it out, you put PrisM in, you can run the entire bitcoin system 10000 times faster. They have these beautiful benchmarks to show that. Even in bad network conditions. (I'm) promoting this team, they're, they're real researchers, and they're real engineers, they use a lot of cool HPC concepts like springboarding and other things like that to accommodate that. Then I asked him in the presentation, I said well, how much faster if you replay the Ethereum chain? He says, well, that it takes a big performance hit, could be only maybe a hundred times because that model is not as easy to optimize and shard with standard computer science concepts. In fact in some cases there are limitations there that really can't be overcome. It turns out that we're more on that UTXO side than we are on the account side. As a coincidence or intent of the design of extended UTXO we're gonna have a lot easier time getting much higher performance where and when it's necessary.
I also approved this week a scaling up of the Basho project. In particular, to build a hydra prototype team. The science has gotten to a point where we can make a really competitive push in that particular direction. What does that mean? It means that in just a few short months we can de-risk technological approaches that long-term will give us a lot of fruit where and when the community decides that they need infrastructure like hydra. Now, here's the beautiful thing about hydra. If you watch my whiteboard back in September of 2017 when Cardano first hit market with Byron I talked about this concept of looking at scalability with a very simple test which is as you get more people in the system it stays at the same performance or it gets faster. We all experience systems that do this, for example, bittorrent, more people downloading something you tend to be able to get it faster and we all experience the converse which is, the system gets slower when you get more people. What does this mean? It means that hydra is an actual approach towards true scalability in the system and it's a lot easier to do than sharding even though we have a beautiful approach to get the sharding on the ledger side if we truly desire to go down that way. There's beautiful ideas that we are definitely in deep discussions about. That's a very complex thing. There was recently a paper ("Ebb-and-Flow Protocols: A Resolution of the Availability-Finality Dilemma") out of Stanford that showed that the Gasper protocol as proposed for ETH2.0 does have some security concerns and it's going to be the burden on the shoulders of the Ethereum 2.0 developers and Vitalik to address those concerns from those Stanford professors. Whenever you have these very complex protocols they have so many different ways they can break and things can go wrong so it's much more appealing when you don't have to embrace complexity to achieve the same. The elegance of hydra is that stake pool operators are very natural parties to put hydra channels on and every time we add one we get much more performance out of that and the system as it gets more valuable. The k factor increases which means you get more stake pull operators, which means you get more hydra channels, so with growth we get appreciation, with appreciation we get more decentralization, with more decentralization we get more performance. In essence, this spiritually speaking, is really what we meant when we said scalability. That the system will always grow to meet its particular needs and we have a very elegant way of moving in that direction that doesn't require us to embrace very sophisticated techniques. It's not to say that these techniques don't have a place and purpose but it says that the urgency of implementing these is gone and we then have the luxury to pick the best science when it's ready instead of rushing it to market to resolve a crisis of high fees. We'll never have that crisis so there's a beauty to Cardano that is missing, I in my view, from many cryptocurrencies and blockchains in the marketplace and we're now seeing that beauty shine through. Not only through our community who are so passionate and amazing but in the science and the engineering itself and how easy it is for us to navigate the concepts. How easy it is for us to add more things, to take some things away, to clean some things up here and there and our ability to move through.
I never imagined when in 2015 I signed up to go in on this crazy ride and try to build a world financial operating system we would have made as much progress as we made today. We've written more than 75 research papers as an organization many of which are directly applicable to Cardano. We've got great partners who work with Nasa and Boeing and Pfizer, massive companies, that have 10 years of history and millions of users to come in and help us grow better. We've worked with incredible organizations, major universities like university of Wyoming, university of Edinburgh, Tokyo, tech professors all across the world. We've worked with incredible engineering firms like VacuumLabs and AtixLabs and Twig and Well-Typed, runtime verification, QuviQ and dozens of others along the years and despite the fact that at times there's been delays and friction throughout this entire journey we've mostly been aligned and we keep learning and growing. It gives me so much hope that our best days are ahead of us and an almost fanatical belief that success is inevitable in a certain respect. You see because we always find a way to be here tomorrow and we always find a way to make tomorrow a better day than today and as long as that's the trend you're monotonically increasing towards a better tomorrow, you're always going to have that outcome, you're always going to be in a position where Cardano shines bright. Towards the end of the month we'll have a lot more to say about the development side and that'll be a beginning just like Voltaire is the beginning and then suddenly you now notice the beautiful parallelism of the roadmap. Shelley continues to evolve, partial delegation is coming, in fact, I signed the contract with vacuumlabs to bring that to Ledger (and Trezor). The Daedalus team is hard at work to make that feature apparent for everyone as is the Yoroi team.
You see that, with now Voltaire, and soon was Goguen, and these are not endpoints, rather they're just beginnings and they're never over. We can always make staking better, more diverse, more merit-based and entertain different control models, have better delegation mechanics, have better user experience. The same for smart contracts, that's an endless river and along the way what we've discovered is it's easy for us to work with great minds and great people. For example with testing of smart contracts I would love to diversify that conversation above and beyond what we can come up with and bring in some firms who have done this for a long time to basically take that part with us shoulder to shoulder and build beautiful frameworks to assist us. For example, runtime verification is doing this with, the EVM with a beautiful project called Firefly to replace Truffle. I believe that we can achieve similar ends with Plutus smart contracts.
When you ask yourself what makes a system competitive in the cryptocurrency space? In my view there are four dimensions and you have to have a good story for all four of those dimensions. You need security and correctness. A lot of people don't prioritize that but when they get that wrong it hurts retail people, it hurts everyday people, billions of dollars have been lost due to the incompetence and ineptitude of junior developers making very bad mistakes and oftentimes those developers faced no consequences. The people who lost money were innocent people who believed in cryptocurrencies and wanted to be part of the movement but didn't protect themselves adequately. That's a really sad thing and it's unethical to continue pushing a model that that is the standard or the likely outcome rather than a rare edge case. You have to as a platform, a third generation platformn invest heavily in giving the developers proper tools to ensure security and correctness. We've seen a whole industry there's been great innovations out of Quantstamp and ConsenSys and dozens of other firms in the space including runtime verification who have really made major leaps in the last few years of trying to improve that story. What's unique to Cardano is that we based our foundations on languages that were designed right the first time and there's over 35 years of history for the approach that we're following in the Haskell side that allows us to build high assurance systems and our developers in the ecosystem to build high assurance systems. We didn't reinvent the wheel, we found the best wheel and we're giving it to you.
I think we're going to be dominant in that respect as we enter 2021. Second, you look at things like ease of maintenance, ease of deployment, the life cycle of the software upgrades to the software and as we've demonstrated with things like the hard fork combinator and the fact that Voltaire is not just a governance layer for ada and Cardano but will eventually be reusable for any dApp deployed on our system. You have very natural tooling that's going to allow people to upgrade their smart contracts, their dApps and enable governance for their users at an incredibly low cost and not have to reinvent the governance wheel each and every application. This is another unique property to our system and it can be reused for the dApps that you deploy on your system as I've mentioned before. Performance is a significant concern and this was often corrupted by marketers especially ICO marketers who really wanted to differentiate (and) say: "our protocol tested on a single server in someone's basement is 500000 transactions per second" and somehow that translates to real life performance and that's antithetical to anyone who's ever to study distributed systems and understands the reality of these systems and where they go and what they do and in terms of performance. I think we have the most logical approach. You know, we have 10 years of history with bitcoin, it's a massive system, we've learned a huge amount and there's a lot of papers written about, a lot of practical projects and bitcoin is about to step into the world of smart contracts. We congratulate them on getting Schnorr sigs in and the success of Taproot. That means entering 2021, 2022, we are going to start seeing legitimate dApps DeFi projects, real applications, instead of choosing Ethereum or Algorand, EOS, Cardano, choosing bitcoin and they're adding a lot to that conversation. I think that ultimately that model has a lot of promise which is why we built a better one. There are still significant limitations with what bitcoin can accomplish from settlement time to the verbosity of contracts that can be written.
The extended UTXO model was designed to be the fastest accounting and most charitable accounting model ever, on and off chain, and hydra was designed to allow you to flex between those two systems seamlessly. When you look at the foundations of where we're at and how we can extend this from domain specific languages, for domain experts, such as Marlowe to financial experts, and the DSLs that will come later, for others, like lawyers and supply chain experts in medical databases and so forth and how easy it is to write and deploy these. Plutus being beautiful glue code for both on and off chain communications. I think we have an incredibly competitive offering for performance and when hydra comes, simply put, there'll be no one faster. If we need to shard, we're going to do that and definitely better than anybody else because we know where our security model sits and there won't be surprise Stanford papers to blindside us that require immediate addressing.
In terms of operating costs, this is the last component, in my view, and that's basically how much does it cost you the developer to run your application? There are really two dimensions, one is predictability and the other is amount. It's not just good enough to say: it's a penny per transaction today. You need to know that after you spend millions of dollars and months or years of effort building something and deploying something that you're not going to wake up tomorrow and now it's five dollars to do what used to cost a penny. You need that cost to be as low as possible and as predictable as possible and again the way that we architectured our system and as we turn things on towards the end of this year and as we enter into the next year we believe we have a great approach to achieve low operating cost. One person asks why Cardano? Well because we have great security and correctness in the development experience and tools with 35 years of legacy that were built right the first time and don't put the burdens of mistakes on your customers. They ask why Cardano and we say: well the chain itself is going to give you great solutions with identity value transformation and governance itself and as a consequence when you talk about upgrading your applications having a relationship with your customers of your applications and you talk about the ease of maintenance of those applications. There's going to be a good story there and we have beautiful frameworks like Voltaire that allow that story to evolve and we keep adding partners and who have decades of experience to get us along. We won't stop until it's much better. They asked why Cardano? We said because at the moment we're 10 times faster today than Ethereum today and that's all we really need for this year and next year to be honest and in the future we can be as fast as we need to be because we're truly scalable. As the system gets more decentralized the system improves performance and where and when we need to shard we can do that. We'll have the luxury of time to do it right, the Cardano way, and when people ask why Cardano? Because the reality is, it's very cheap to do things on our platform and the way we're building things. That's going to continue being the case and we have the governance mechanisms to allow the community to readjust fees and parameters so that it can continue being affordable for users. Everything in the system will eventually be customizable and parameterizable: from block size, to transaction fees and the community will be in a good position to dynamically allocate these things where and when needed so that we can enjoy as an ecosystem predictability in our cost.
In the coming weeks and months, especially in my company, we're going to invest a lot of time and effort into comparison marketing and product marketing. When I see people say, oh well, you've launched proof of stake, a lot of other people have done. I don't think those people fully appreciate the magnitude of what we actually accomplished as an ecosystem and the quality of the protocols that are in distribution. That's not their fault, it's our fault, because we didn't take the time in simplistic terms, not scientific papers and deep code and formal specifications, but rather everyday language, to really show why we're different. I admit that that's a product failing and that needs to be corrected so we hired a great marketing director, named Liza (Horowitz?) and she is going to work full time with me and others in the ecosystem, a great team of people, every single day to get out there and explain what we have done is novel, unique, competitive and special to our industry. Everything from Ouroboros and contrast to major other protocols from the EOSes and Algorands and the Tezos of the world. Why we're different, trade-offs we chose over them, to our network stack, to the extended UTXO model, to Plutus, to Marlowe and we're going to keep hammering away at that until we get it right and everybody acknowledges and sees what has been accomplished.
I've spent five years of my life, good years of my life, and missed a lot to get this project where it needs to go. All of our employees have invested huge sums of their personal lives, their time, their brand, their careers, in trying to make this the really most magical and special cryptocurrency and blockchain infrastructure around. No one ever signed up in this company or the other companies working on Cardano to work on a mediocre protocol. That's just another blockchain, they signed up to change the world, they signed up to build a system that legitimately can look at you in the face and say: one day we have the potential to have a billion users! That's what they signed up for and they showed up to play. They built technology that evolves in that direction with some certainty and great foundations and we have an obligation to market in a way that can show the world why, succinctly, with clarity. Understandably, this has been a failing in the past but you know what? You can always be better tomorrow that monotonically increasing make it better and that's what we're going to do. We recognized it and we're going to invest in it and with Voltaire if we can't do it. You the community can do it and we'll work with you. If you can do a better job and the funding will be there to get that done. In addition to this, we think about 2021 and we ask where does the future take us? I've thought a lot about this you know I've thought a lot about how do we get the next five years as we close out 2020 and here's the reality: we're not going to leave as a company until we have smart contracts and multi-asset and Voltaire has evolved to a point where the community can comfortably make decisions about the future of the protocol and that the staking experience has solidified and it's stable.
I don't care if this costs me millions or tens of millions of dollars out of my own pocket to make happen. I'm going to do that because that's my commitment to you, the community and every product update will keep pushing our way there. We'll continue to get more transparent, we'll continue to get more aggressive and hire more and parallelize more. Aware when we can, to deliver that experience so that Cardano gets where it needs to go. Then when we ask about where do we go next? The reality is that the science as an industry, the engineering as an industry has given a menu of incredibly unique attractive and sexy things that we can pursue. What we're going to do is work with the community and the very same tools that are turning on today, the Voltaire tools, the tools and we're going to propose a consortium and we're going to bring the best and brightest together and give a vision of where we can take the system in another five years. With the benefit of hindsight, massively improved processes, better estimation capabilities and the fact that we're not starting with two people at IOG. We're starting with 250 people and the best scientific division in our industry and the legacy of almost, nearly by the end of this year, 100 scientific papers. That's us, you know what, there's dozens of companies throughout the history who have worked on Cardano. It's about time to scale them up too and get client diversity. So come next year when the protocol has evolved to the point where it's ready for it, we'll have that conversation with you the community and that's going to be a beautiful conversation. At the conclusion of it, there's going to be certainty of how we're going to evolve over the next five years to get ourselves beyond the cryptocurrency space. I'm very tired of these conversations we have about: are you going to go to (coindesk's) consensus or not? Or who's going to be the big winner? What about Libra or what about this particular regulation and this crypto unicorn and this thing?
You know I've been in the space a long time and I've noticed that people keep saying the same things year after year in the same venues. Yes, the crowd sizes get larger and the amount of value at risk gets larger but I haven't seen a lot of progress in the places where I feel it is absolutely necessary for this technology to be permanent in the developing world. We need to see economic identity. People often ask what is the mission for Cardano? For us IOG, you look at economic identity and you take a look at a roadmap. For it, you scale up and down, and each and every step along the way, from open data, to self-sovereign identity, to financial inclusion. You can keep going down: to decentralized lending, decentralized insurance, decentralized banking. Each and every step along the way to economic identity. When you admit a blockchain tells you that, there's a collection of applications and infrastructure that you need to build.
My life's work is to get to a point where we have the technology to do that. The infrastructure to do that, with principles, and so we'll keep evolving Cardano and we'll keep evolving the space as a whole and the science as a whole until I can wake up and say: each box and that road to economic identity, for all people not just one group, we have a solution for that. I'm going to put those applications on Cardano and success for me is not about us being king of the crypto hill and having a higher market cap than bitcoin or being entrepreneur of the year coindesk's most influential person. It's meaningless noise, success for me is reflecting back at the things that we have accomplished together and recognizing that millions if not billions now live in a system where they all matter, they all have a voice, they all have an equal footing. The Jeff Bezos of the world have the very same experience as the person born in Rwanda and we're not done until that's the case. It's a long road, it's a hard road, but you know what? We're making progress, we have great people in Africa, we have great people in eastern Europe, we have great people in southeast Asia and great partners all along the way. Great people, Latin America, great people in south America, great people here in the United States.
When we talk about economic identity there are millions, if not tens of millions of Americans who don't have it. Same for Canadians, hundreds of thousands, who don't have it. Developed western cultures, it's the greatest blind spot of policy and as we enter into a depression as a result of coronavirus, add millions if not tens of millions more onto that list. Generations are being disenfranchised by this legacy system and we as an ecosystem, we as an entire community are offering a different way forward. Not hyper centralizationn not social credit but a way forward where you own your own money, your own identity, your own data. You're not a victim of surveillance capitalism, you're not a victim of civil asset forfeiture. When you say the wrong things, you get shut out of society. Each and every human being matters and I'm optimistic to believe that when you remind people that they matter they're gonna rise to the occasion. That is the point of my company. In the things that we do each and every day, that's our mission to give the platforms to the world so that those who don't have economic identity can get it and they can keep it and no one can take it from them and they can enjoy an ever increasing growth of standard of living wealth and prosperity.
However you want to measure that this is my goal post, I couldn't care less about the cryptocurrency space. It was a great place to start but the space needs to be reminded why it exists. Bitcoin was given a mandate on the back of the 2008 financial crisis to do something different. It was not given a mandate to go be a new settlement layer for central banks or a new way for the old guard to make more money and banks get bigger and for those who are in control to preserve their power. The whole point of doing something so crazy as to buy a coin that doesn't even exist in real life, that's just a bunch of numbers in the cloud, the whole point of that was so that we as a society could do something different than the way that we'd been doing things before. So, each and every member of the cryptocurrency space needs to remind everyone else from time to time why we're here and where did we come from and where are we going to go.
The beauty of Cardano is we have already achieved for the most part a decentralized brain and that momentum is pushing harder than ever. More and more scientists are waking up, more and more institutions are waking up, getting us there. The code we have, the right approach and I think we have a great competitive offering for 2021 as we go and battle the titans and that's going to be a lot of fun but we know who we are and where we're going and we're in the right places. It's so incredibly encouraging to see the stake pool operators not just be from California or Texas or New York or Canada. To see a lot of stake pool operators from the place that need the most, help everybody does matter and it means a lot to me for the people who are there but it means a lot to everybody to say that we have created an equal platform. It makes the participation of all of us so much more meaningful. We're not just talking to each other, we're talking to the world and by working together on this platform we're lifting the world up and giving people hope. That's the point, there's a lot more to do, we didn't get everything done. You never do you aspire, you work hard, you set a moon, shot and sometimes you can just get to orbit with the first go but you know what? When you build the next rocket you can go to Mars.
Thank you all for being with me, thank you all for being part of this. Today was a damn good day with the announcement of Voltaire. Go to You can participate in that, so end of September is going to be a good day too. There's a lot of good days to come, in between a lot of hard days, doing tasks sometimes entirely forgettable but always necessary to keep the revolution going and the movement going. I cannot wait for 2021, our best days are ahead of us, because of you. You all take care now .
Other things mentioned: (TWIG) (PrisM and not our Prism
Ebb-and-Flow Protocols: A Resolution of the Availability-Finality Dilemma (aka Gasper and ETH2.0 fucker)
submitted by stake_pool to cardano [link] [comments]

2020.09.10 14:39 Robert_de_Saint_Loup Dating in the North is much easier than the South/Sun Belt

If you’re fat or ugly in South Florida or Southern California, good luck.
After all the traveling I have done this summer, I notice how the people in the north are, on average, less focused on beauty.
The majority of things you see regarding nightlife, partying, sex appeal, clubbing, etc... is in the Sun Belt. Stretching from Southern California all the way to South Carolina on the east coast.
Excuse me for saying this but people up north are much more uptight and miserable. The people in the South just have that cheerful optimism and chill attitude whereas people up north tend to have that overly protective and pessimistic attitude. That’s why it’s easier to date over there. You don’t have to have much sex appeal to attract somebody. Being “sexy” isn’t as popular in the North as it is in the South.
I will also argue that men and women in the Sun Belt (and Hawaii) are just on average more attractive. If you’re fat in a sunny place, you don’t get to cover yourself up because it gets hot. Everybody just sees how fat you are. It’s not me being an asshole, it’s science.
You wouldn’t have a Las Vegas or the entertainment industry in Maine or North Dakota. You also have much more beauty pageants in the sun belt. It’s just a tradition. We also border with Mexico and the Caribbean, thus we have more Latin American influence. More of that flex culture than the North.
Plastic surgery is also more common in the South than in the North. This is because since the sun plays a larger role in our lives, we just show more skin. It’s the same reason why people here on average have more tattoos.
Dating up North is easier because people are more open minded towards looks and appearances. They don’t really care as much about beauty as the South.
submitted by Robert_de_Saint_Loup to PurplePillDebate [link] [comments]

2020.09.08 02:32 PopularTradition Finished Narcos: Mexico - Some Thoughts

Not sure what kind of people are on this subreddit and the general biases that exist here. However, I am going to shoot from the hip as usual and write about my uncensored thoughts.
Finished Narcos: Mexico Seasons 1/2:
  1. Excellent cinamatography. Compare this to El Dragon and you can see why (still a decent show though).
  2. Strong on the historical accuracy. I enjoyed bits about zooming out and talking about the 80's in general. Comparing the largest coccaine busts to date in Season 2 Ep 9.
  3. Packing some heat and occassional references to gun history like the scene in the elevator with the guns Hitler's guard used.
  4. Realistic deaths.
  5. Showed the brutality of the narco subculture.
  6. Painfully and accurately portrayed the corruption in Mexico from politicians, police, and even the military.
  7. Did better at showing that these are just people that needed to eat (that completely got fat off the money/power) due to ruthless politicians hoarding all the wealth.
  8. Shows how much more money narcotraficantes brought in compared to oil in the 80's. That $4 bil vs the $15 bil USD was scary. Mexico's economy was heavily oil dependent at about 40% of the economey in the 80's.
  9. Diego Luna, José María Yazpik, Fernanda Urrejola, Teresa Ruiz, etc did excellent work.
  10. Shows that the Americans were not just the white saviors they were shown to be in the original Narcos in Colombia.
  11. Flows nicely.
  12. Did better with showing Felix's bad side, but still mostly glorified the dude.
  13. Less American-Centric than Narcos in terms of interpretation. There was a fair amount of fuck ups on the USA side and criticisms of the CIA, FBI shooting up civilians in the pueblo, etc.
  14. Accurately portrayed the corruption in Mexico.
  15. Beautiful country-side shots.
  16. I enjoyed how they showed what part of the country they were in and the map visuals when they could.
  17. Brutally attacked the rich of Mexico with Alexandria Gulimant probably being the only redeeming wealth "fresa" (although she cared more about endangered animals than people which is common among the white power class in the USA as well. Easier to care about environmental issues than socioeconomic ones especially if that threatens your power). Honestly, she was complicit in all of it too though. Maybe her enviornmental care was just virtue signaling.
  18. The top-down authoritarian approach present with the PRI's 90 year dominance (for example) is shown to largely be hurting the people. You need to listen to your employees even if they are not your partners.
  19. It pays to forgive sometimes, but ultimately most solutions are solved with violence in that subculture.
  20. Shows some tensions between Mexicans/Mexican-Americans with Kiki that could have been fleshed out more. I guess it is fair they would not send a Mexican-American who could not speak Spanish well, but would send a white American who could not speak Spanish well because well, yeah you know.
  21. Diego did a fantastic job at going from good cop to resentful, unforgiving and eventually defeated (but still cunning) drug kingpin.
A. Paints a dismal picture of Mexico. Accurate, but unfair in my opinion when it comes to the general Mexican people.
  1. I have been here living near Puerto Vallarta, Mexico since March of this year. I have been coming here since the early 2000's. I have witnessed corruption a few times. Some Mexican nationals on an ATV run from Guadalajara to PV were kidnapped (1 killed) in front of the Costco here two months ago. The New Generation Jalisco Cartel posted a few Twitter videos flexing their firepower a few months ago. A drug lord was recently arrested in Guanajuato. El Chapo's son is giving food to hospitals in Sinaloa. El Chapo is saying he is depressed in Colorado's maximum security prison due to COVID restrictions. This is still ongoing.
  2. Banorte, one of Mexico's 4 largest commercial banks by assets, was caught in a drug money laundering operation in the late 90's.
  3. Mexican politicians are corrupt as hell. Current president AMLO's brother was recently caught accepting a $1 mil USD bribe. Corruption is up in Mexico. Even the US ambassador and former US Ambassador before him warned not to invest here. Seems like nothing has changed.
  4. Displaying how easy these narcotraficantes can control THE MILITARY in the 80's may be accurate, but paints an extremely bad picture of Mexico from the eyes of an American viewer (and international audience) that has never been here.
  5. Even though the Military has been patrolling the carretera 200 in response to the Jalisco Cartel - I have no doubt these cats would murder me if I was on the wrong side of Mexican politics. I have no faith in 911 (same as the USA) if I called it down here. Private security is the way to go. Bribes are still very effective; however, I have never had to make one thankfully. I would also not like to contribute to a system of corruption.
  6. Mexican police - at least I have met some good federales, but no doubt they would do something unethical if their masters told them too. Good news is that at least a few dozens officers got fired in central Jalisco for narco connections.
  7. Narcos still control large swaths of Mexico. I just believe they are more educated and know not to shoot some mofo in the club over some petty shit. They have adapted and will continue to.
  8. Does not mention, but clearly displays the anti-intellectualism of Mexico unlike El Dragon which tries to push multiculturality and Mexican technological prowess. From either the foreign or Mexican perspective, it does not support a view that Mexicans can achieve intellectually. Diego Luna is our best bet and some example that guy is...
  9. No one cashes in their chips. Even the promising Teresa Ruiz pushes it with the Tijuanna cartel until she gets arrested in a warehouse. She came off as so powerful and sophisticated. So much for Mexican pride.
  10. If I was a tourist ignorant of Mexico, I would never want to come here after watching this show. 1986 is still pretty close especially if the narco problem is still ongoing.
  11. Shows (intentionality of the directors and editors aside) Mexicans are incapable of long term organization. They eventually break apart.
  12. Shows that even the common people are active participants or complicit with these narcotraficantes that "own" whole cities or towns because they know everyone and have guns.
  13. Does not delve into the history of why Mexico and Latin America is so corrupt.
  14. Start at the 300 year Spanish colonalization and extraction of resources.
  15. Continue to US involvement at all stages of Mexico from 1821 onward.
  16. See Mexican-American war of 1846-1848 where we took half of Mexico's terrirory by force for $15 mil at the time and forced then Mexican president Santa Anna to sign it. We provoked the war. I do not apologize for it personally. Mexican corruption and disorganization also led to us winning that war. It is just easier to blame the USA than take responsibility for what you can within your own country. And I sure as hell would not give back Texas, California, New Mexico, Arizona, etc. However, I question if Mexico would have the orgaization to develop those terriorties seeing that the power players in Mexico City do not care about the North. The North of Mexico is its own culture more aligned with the USA. Baja California is totally off the national power grid.
  17. The best way to balance understanding why all this corruption and poverty came to be would be to read Open Veins of Latin America: Five Centuries of Pillage of a Continent by Eduardo Galeano. Although....that would make the show less sexy and appealing to the American (and even Mexican) viewer.
  18. I guess we have to settle for Walt's explanation that "everybody's gotta eat" and Guillermo González Calderoni's "This is just how it works down here - you do not understand!"
  19. Obviously and accurately showed the technological superiority of the USA. Glad it was led by Kiki who is Mexican-American leading on that, but Walt eventually took a classic American role in season 2.
  20. Kiki representing the USA in Season 1 was a great counternarrative to the "white savior complex" Hollywood is heavily criticized for (#OscarsaresoWhite).
  21. Falls into many Mexican stereotypes (Bandito lifestyle of Francisco Arellano Felix, the roughness and immaturity of the Sinaloan cowboys, drinking too much alcohol, etc.). All accurate especially for narcotraficantes.
  22. The dark Mexican/indigenous Mexican bad and lighter skin Mexican good or at least successful is imagery shown all throughout the show. Other than Azul - Season 2 Episode 10 everyone around the table is a light skinned Mexican. And yes, there is a power differential in this society. A pigmentocracy if you will. How Rafa went down was probably accurate, but sad. The dude tried to get clean, but eventually could not control himself. Also, the darker Mexicans are portrayed as the workers, being shooting at others, people getting shot, etc. Again, accurate. Especially for the 1980's. However, it is just too bad that is how things are still down here.
  23. Language thoughts -
  24. more que's than mande's than I expected - did not hear mande once.
  25. all the creative Mexican slang (surprised they did not used naco at all).
  26. The Whole Marvel Universe of Narcotraficantes feels cool, but ultimately serves to glorify these criminals.
  27. Weak on showing discrimination against Mexicans/Mexican-Americans by white Americans. Not necessary. Shown once or twice. However, the USA is still dealing with race problems and I have no doubt it was rough for a guy like Kiki in the 80's in the lowest department on the totem pole (DEA). If Trump is still using the "bad hombre" line, can you imagine what was said in the 80's in Fresno, CA? USA's moral standing needs to be taken down a notch.
  28. Did a fair job showing the nasty ways the USA meddled in Latin America. But like the Spanish ultimately won the narrative of conquistadors over the defeated indigenous of mesoamerica - I believe the USA ultimately wins the moral narrative battle over Mexico simply due to all the corruption and violence of these narcotraficantes.
  29. I do sometimes wonder if there were any good apples in the Mexican upperclass. However, I would not waste my time finding them. Sounds like they were all complicit in the game.
I like Diego Luna a lot. Would not change him for some white Argentinian guy playing a Mexican like El Dragon. He is super representative of the majority of Mexicans (and yes, they have a Vida Aspiracional problem with their media here). First saw him in Star Wars. Watched his Pan y Circo in Amazon Prime. The guy is both privileged (born into a degree of wealth), woke, and trying to get other Mexicans to be woke (lot of Mexicans still think this is not racist and part of their national culture...).
That all said I expect more from the guy in influencing this script to positively portray Mexicans. Perhaps that is boring, but my suggestions are:
  1. Have someone with the sense to walk off, turn their life around (but still be in touch with them), etc. Diego's 2nd wife is not that deep in the game and she has kids. Francisco tried, but ultimately does not want to be a snitch and gets shot by 30 people despite knowing he has a kid on the way...
  2. I would have liked to see some forgiveness from someone. But if that is not true then forget it. I prefer the truth over good PR for Mexico. It is always eye for an eye. Predictable. Diego at first had the restraint of a warrior in Season 1. That eventually wore off as he got drunk with power.
  3. Show student protests against this stuff (then you find out nasty stuff like the Tlateloco Massacre of 1968 or the 43 students that went missing in 2014 on a school trip to Mexico City).
  4. Show someone in the pueblo that refuses to be complicit in narco money. It would have been nice to have that counterbalance of an honest Mexican constantly being observed, but not bothered by these narcos. Doubt those sociopaths would care.
submitted by PopularTradition to narcos [link] [comments]

2020.08.23 18:03 MansA23Augl You-ng G-uy Ol-d L-ady Po-rn Re-stless

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submitted by MansA23Augl to u/MansA23Augl [link] [comments]

2020.08.22 01:36 poloniumpoisoning This is a confession and a warning: we’re close to the 103rd fold and it’s my fault

It took me a long, long time to understand what was being built on my bedside table.
And then to figure out the circumstances that made it happen.
On the top of it, it was almost by chance that I discovered the meaning of it all.
Here’s how I’d introduced myself if you met me earlier:
My name is Marsha, and I like to think of myself as a normal 20- years-old; I’m in college, I work a part-time job at a donut shop, and I live with my parents – we’re not in the US, so it’s uncommon to live on-campus.
My parents are very average; they pay for my tuition and most of my basic bills, and for that reason I have the privilege of only needing to work so I have money to support my hobbies, go out with my friends etc. Sometimes they lecture me over small things, and we’re not incredibly close, but it’s a pretty alright life. My childhood was not a remarkably happy one, but it didn’t leave me with major traumas. My looks are very girl-next-doorsy, not in a sexy way.
In a word, I’m common.
But now I’m the girl that’s about to unwillingly blow up the universe.
It started when I was 13. I was pretty into origami back then, so I had lots and lots of somewhat expensive paper in my room. I also used to indulge my hobby during classes if I thought the subject was too boring.
“Marsha”, my teacher walked by me, and I was jumpy. I thought she was going to scold me in front of everyone. “Did you know that, if you fold a paper in half 103 times, it will be thicker than the universe?”
Relieved, I didn’t pay much attention to what she said; it sounded like dumb, partly untrue trivia, like “did you know that alumni means ‘lightless’ in Latin?”
On that very same day, I found out that one of my friends had kissed the boy I liked – the worst suffering a 13-years-old girl should have to go through.
Of course, I felt incredibly betrayed, sad and ugly; I’m sure nearly everyone went through something like that at least once and, while it really sucks, my teenage mind gave it tragic proportions. So I cried my eyes out for hours and snuck into the kitchen to eat ice cream after my parents went to bed.
The next morning, I woke up to a strange origami beside my bed.
For a while, my silly, young mind thought that it was the work of some strange fairy; whenever I felt really upset, a more exotic and elaborate origami would show up next to me.
Needless to say, I was upset a lot during my teenage years.
At first, it was nearly unnoticeable, but the origami paper had little black stains, dark as ventablack. It also couldn’t be moved from my bedside table, but it was fine because it only stayed there for a day, disappearing after the next time I went to sleep.
Mom inquired me once or twice about the incredibly elaborated figures made of paper she’d find in my room once in a while, but I just said that I made them. She happily brought me more paper, even after I was done with this hobby.
I still thought it was pretty cool that some sort of strange fairy was giving me these things to cheer me up.
As a naturally curious teenager, I tried to stay up the whole night many times, trying to catch the moment that the fairy would show up but one of these two things inevitably happened: either I ended up dozing off or a new origami was never placed in my bedroom.
As I became an adult, my reasons to be upset became more serious, and the origamis more complex; the number of folds grew.
With that, the sprinkles of blackness in the paper grew too. It was impossible to touch the black parts, as it repelled my hand like electricity, but as they became bigger I started to understand that there was something more on the other side, connected to the seemingly harmless origami.
Sheltered as I was, by then it was impossible to deny that it was something way darker than a weird fairy.
And I didn’t know who I should talk to. A priest? A witch?
I ended up going to a nearby shrine – it felt like the most obvious association with the origami. It was around a year ago, and that’s how I started to figure things out. The monk, Mr. Han, was incredibly nice and patient, never once seeming to question my sanity.
“Do you have one of those at your place now?” he asked, after many other questions that helped me organize my thoughts. I nodded.
He watched it from the threshold for a while.
“One of these shows up every time you get very upset?”
I confirmed.
“They are more and more elaborated every time that happens?”
I nodded again.
“And those drops of really dark black… they are growing?”
“That’s right.”
“They seem unnatural”, he remarked.
“I think there’s something… I know it’s insane, but there’s something connected to them on the other side of the black.”
He seemed to evaluate the situation for a few minutes.
“I suppose I have to come closer.”
He carefully approached my bedside table. Still, no amount of wariness could have prepared him for what happened next.
An unbelievably long and impossibly black arm, flecked with ominous dots that could only be described as bloody stars, stretched from one of the black spots in the origami paper, grabbing Mr. Han by the throat.
“It’s the universe collapsing”, Mr. Han managed to say, between pained gasps. For a dying man, he certainly looked, ironically, calm as a monk. “Read about folding paper…. too many times….”
And with that, the nice, thoughtful man that fully believed my bullshit story took his last breath in this plane of existence.
Of course, that was the most upsetting experience that I went through in my life. The origami in the next morning was enormous, imposing, menacing; its mere presence threatened to make me disappear from existence just like it did to Mr. Han.
However, deep down I knew that whatever lived on the other side needed me.
The shrine contacted me to see if I knew something about his disappearance; I wasn’t sure if anyone else would believe me, so I told them no; they then told the police Mr. Han vanished after visiting someone who needed his aid. I was never linked to this case as more than the last person known he’s been with, so I suppose neither my parents nor my neighbors told the cops that they never saw Mr. Han leave.
I decided it was time to talk to my parents and tell them I was suffering from PTSD. They were more understanding than I expected, seeming to think that being the last person to see Mr. Han alive and well made me feel guilty – well, it did, although there was so much more I couldn’t tell.
I burned down my bedside table and convinced them to rent me a room on the other side of the town, closing my room for good. They looked at me with the pity you look at crazy people, thinking that my requests made no sense but they’d put up with it as long as what I needed to feel safe was harmless enough.
I quitted my job – I wasn’t going to have any hobbies or fun with friends anytime soon – and put college on hold.
I pretty much isolated myself from any stronger negative emotion I could possibly feel.
And it worked for a while; no more origamis for me. I learned there was just so many things that could make me remarkably upset while staying home alone – having something I baked go wrong or order a burger and see it came soggy and cold were definitely not big enough to activate the origami monster. When those mildly upsetting things happened, I even made my parents check my now deactivated room from time to time, to make sure no origami showed up there.
They seemed to think I went mad and started hallucinating that I was being haunted by origamis.
In a sense, they weren’t wrong.
I read extensively about the 103rd fold theory – if you have a paper that’s big enough, and enough manpower to fold it, a paper folded in half 103 times will have the size of the known universe.
It felt to me that the only possible conclusion was that beings from another universe – a much larger one – were little by little snatching something nasty and capable to destroy everything we know (and everything we think we know). And they were doing it fueled by my negative emotions.
I racked my brain to try to estimate how many times the origamis had appeared to me. I was able to count around 70, but then I considered that some were bigger and more complex than most, so they probably counted as more than one folding at once.
I was aware that eventually the bad emotions would catch up to me and I’d put the universe on the verge of destruction, but, by isolating myself, I still had time. Years, decades maybe.
I clearly underestimated how many folds were made thanks to Mr. Han’s demise.
I was leaving the house and interacting as little as possible with other people when I started to feel sick. A weird kind of sick – headache, fever, painful sores on my skin, and my loins burned.
Defeated, I had to call my parents to take me to the hospital – I couldn’t afford to go on my own and end up getting upset at something.
I was incredibly upset when the nurse announced the STDs I had, and the estimated time when I got them; I had been dating the man of my dreams, and the only reason why I broke up with him was because I wanted to deal with Mr. Han’s whatever-that-was alone, instead of dragging people I loved dearly into this mess.
And he had been cheating on me.
This was for sure the second biggest negative feeling I ever felt in my life. I did my best not to break down, but I suffered. I physically and emotionally suffered over this awful betrayal.
And the next morning, there it was: a new origami, right on the table I had in my small kitchen, since I purposely avoided putting too much furniture in the bedroom. Bigger than ever and almost completely covered in impossibly black stains.
I decided it was time to end things.
What’s more important, a single life – a life that’s been absolutely miserable over the knowledge that it’s about to make the whole universe disappear – or everything else?
Killing yourself is way easier said than done; I ended up choosing to overdose on sleeping pills.
I wrote this whole thing right before I took dozens of the little motherfuckers; think of it as my suicide letter, although most will only pity me as a mentally ill person having hallucinations.
I’m getting ready to post as I finish swallowing them; I don’t want the few who will believe this story to think of me as a savior, I’m simply undoing the horrible deed I’ve been doing over the years.
I wrote all of this in my living room, and now I think I’m ready to go to bed and hopefully fall into an endless nothingness – whatever afterlife is reserved for people like me seem worse than just being completely gone, after all.
I’m suffering. I’m dizzy. I barely can control my legs. My head hurts so badly I can’t stop vomiting. My vision is getting blurrier every second, but I have to give you one final warning.
I think I was too late.
Because as I entered my room, I heard a horrible cackle and a high-pitched, metallic voice shouting “destroy!”, all inside a giant pit of darkness right above my bed.
The biggest piece of paper I’ve ever seen is coming out of it.
submitted by poloniumpoisoning to PPoisoningTales [link] [comments]

2020.08.22 01:35 poloniumpoisoning This is a confession and a warning: we’re close to the 103rd fold and it’s my fault

It took me a long, long time to understand what was being built on my bedside table.
And then to figure out the circumstances that made it happen.
On the top of it, it was almost by chance that I discovered the meaning of it all.
Here’s how I’d introduced myself if you met me earlier:
My name is Marsha, and I like to think of myself as a normal 20- years-old; I’m in college, I work a part-time job at a donut shop, and I live with my parents – we’re not in the US, so it’s uncommon to live on-campus.
My parents are very average; they pay for my tuition and most of my basic bills, and for that reason I have the privilege of only needing to work so I have money to support my hobbies, go out with my friends etc. Sometimes they lecture me over small things, and we’re not incredibly close, but it’s a pretty alright life. My childhood was not a remarkably happy one, but it didn’t leave me with major traumas. My looks are very girl-next-doorsy, not in a sexy way.
In a word, I’m common.
But now I’m the girl that’s about to unwillingly blow up the universe.
It started when I was 13. I was pretty into origami back then, so I had lots and lots of somewhat expensive paper in my room. I also used to indulge my hobby during classes if I thought the subject was too boring.
“Marsha”, my teacher walked by me, and I was jumpy. I thought she was going to scold me in front of everyone. “Did you know that, if you fold a paper in half 103 times, it will be thicker than the universe?”
Relieved, I didn’t pay much attention to what she said; it sounded like dumb, partly untrue trivia, like “did you know that alumni means ‘lightless’ in Latin?”
On that very same day, I found out that one of my friends had kissed the boy I liked – the worst suffering a 13-years-old girl should have to go through.
Of course, I felt incredibly betrayed, sad and ugly; I’m sure nearly everyone went through something like that at least once and, while it really sucks, my teenage mind gave it tragic proportions. So I cried my eyes out for hours and snuck into the kitchen to eat ice cream after my parents went to bed.
The next morning, I woke up to a strange origami beside my bed.
For a while, my silly, young mind thought that it was the work of some strange fairy; whenever I felt really upset, a more exotic and elaborate origami would show up next to me.
Needless to say, I was upset a lot during my teenage years.
At first, it was nearly unnoticeable, but the origami paper had little black stains, dark as ventablack. It also couldn’t be moved from my bedside table, but it was fine because it only stayed there for a day, disappearing after the next time I went to sleep.
Mom inquired me once or twice about the incredibly elaborated figures made of paper she’d find in my room once in a while, but I just said that I made them. She happily brought me more paper, even after I was done with this hobby.
I still thought it was pretty cool that some sort of strange fairy was giving me these things to cheer me up.
As a naturally curious teenager, I tried to stay up the whole night many times, trying to catch the moment that the fairy would show up but one of these two things inevitably happened: either I ended up dozing off or a new origami was never placed in my bedroom.
As I became an adult, my reasons to be upset became more serious, and the origamis more complex; the number of folds grew.
With that, the sprinkles of blackness in the paper grew too. It was impossible to touch the black parts, as it repelled my hand like electricity, but as they became bigger I started to understand that there was something more on the other side, connected to the seemingly harmless origami.
Sheltered as I was, by then it was impossible to deny that it was something way darker than a weird fairy.
And I didn’t know who I should talk to. A priest? A witch?
I ended up going to a nearby shrine – it felt like the most obvious association with the origami. It was around a year ago, and that’s how I started to figure things out. The monk, Mr. Han, was incredibly nice and patient, never once seeming to question my sanity.
“Do you have one of those at your place now?” he asked, after many other questions that helped me organize my thoughts. I nodded.
He watched it from the threshold for a while.
“One of these shows up every time you get very upset?”
I confirmed.
“They are more and more elaborated every time that happens?”
I nodded again.
“And those drops of really dark black… they are growing?”
“That’s right.”
“They seem unnatural”, he remarked.
“I think there’s something… I know it’s insane, but there’s something connected to them on the other side of the black.”
He seemed to evaluate the situation for a few minutes.
“I suppose I have to come closer.”
He carefully approached my bedside table. Still, no amount of wariness could have prepared him for what happened next.
An unbelievably long and impossibly black arm, flecked with ominous dots that could only be described as bloody stars, stretched from one of the black spots in the origami paper, grabbing Mr. Han by the throat.
“It’s the universe collapsing”, Mr. Han managed to say, between pained gasps. For a dying man, he certainly looked, ironically, calm as a monk. “Read about folding paper…. too many times….”
And with that, the nice, thoughtful man that fully believed my bullshit story took his last breath in this plane of existence.
Of course, that was the most upsetting experience that I went through in my life. The origami in the next morning was enormous, imposing, menacing; its mere presence threatened to make me disappear from existence just like it did to Mr. Han.
However, deep down I knew that whatever lived on the other side needed me.
The shrine contacted me to see if I knew something about his disappearance; I wasn’t sure if anyone else would believe me, so I told them no; they then told the police Mr. Han vanished after visiting someone who needed his aid. I was never linked to this case as more than the last person known he’s been with, so I suppose neither my parents nor my neighbors told the cops that they never saw Mr. Han leave.
I decided it was time to talk to my parents and tell them I was suffering from PTSD. They were more understanding than I expected, seeming to think that being the last person to see Mr. Han alive and well made me feel guilty – well, it did, although there was so much more I couldn’t tell.
I burned down my bedside table and convinced them to rent me a room on the other side of the town, closing my room for good. They looked at me with the pity you look at crazy people, thinking that my requests made no sense but they’d put up with it as long as what I needed to feel safe was harmless enough.
I quitted my job – I wasn’t going to have any hobbies or fun with friends anytime soon – and put college on hold.
I pretty much isolated myself from any stronger negative emotion I could possibly feel.
And it worked for a while; no more origamis for me. I learned there was just so many things that could make me remarkably upset while staying home alone – having something I baked go wrong or order a burger and see it came soggy and cold were definitely not big enough to activate the origami monster. When those mildly upsetting things happened, I even made my parents check my now deactivated room from time to time, to make sure no origami showed up there.
They seemed to think I went mad and started hallucinating that I was being haunted by origamis.
In a sense, they weren’t wrong.
I read extensively about the 103rd fold theory – if you have a paper that’s big enough, and enough manpower to fold it, a paper folded in half 103 times will have the size of the known universe.
It felt to me that the only possible conclusion was that beings from another universe – a much larger one – were little by little snatching something nasty and capable to destroy everything we know (and everything we think we know). And they were doing it fueled by my negative emotions.
I racked my brain to try to estimate how many times the origamis had appeared to me. I was able to count around 70, but then I considered that some were bigger and more complex than most, so they probably counted as more than one folding at once.
I was aware that eventually the bad emotions would catch up to me and I’d put the universe on the verge of destruction, but, by isolating myself, I still had time. Years, decades maybe.
I clearly underestimated how many folds were made thanks to Mr. Han’s demise.
I was leaving the house and interacting as little as possible with other people when I started to feel sick. A weird kind of sick – headache, fever, painful sores on my skin, and my loins burned.
Defeated, I had to call my parents to take me to the hospital – I couldn’t afford to go on my own and end up getting upset at something.
I was incredibly upset when the nurse announced the STDs I had, and the estimated time when I got them; I had been dating the man of my dreams, and the only reason why I broke up with him was because I wanted to deal with Mr. Han’s whatever-that-was alone, instead of dragging people I loved dearly into this mess.
And he had been cheating on me.
This was for sure the second biggest negative feeling I ever felt in my life. I did my best not to break down, but I suffered. I physically and emotionally suffered over this awful betrayal.
And the next morning, there it was: a new origami, right on the table I had in my small kitchen, since I purposely avoided putting too much furniture in the bedroom. Bigger than ever and almost completely covered in impossibly black stains.
I decided it was time to end things.
What’s more important, a single life – a life that’s been absolutely miserable over the knowledge that it’s about to make the whole universe disappear – or everything else?
Killing yourself is way easier said than done; I ended up choosing to overdose on sleeping pills.
I wrote this whole thing right before I took dozens of the little motherfuckers; think of it as my suicide letter, although most will only pity me as a mentally ill person having hallucinations.
I’m getting ready to post as I finish swallowing them; I don’t want the few who will believe this story to think of me as a savior, I’m simply undoing the horrible deed I’ve been doing over the years.
I wrote all of this in my living room, and now I think I’m ready to go to bed and hopefully fall into an endless nothingness – whatever afterlife is reserved for people like me seem worse than just being completely gone, after all.
I’m suffering. I’m dizzy. I barely can control my legs. My head hurts so badly I can’t stop vomiting. My vision is getting blurrier every second, but I have to give you one final warning.
I think I was too late.
Because as I entered my room, I heard a horrible cackle and a high-pitched, metallic voice shouting “destroy!”, all inside a giant pit of darkness right above my bed.
The biggest piece of paper I’ve ever seen is coming out of it.

submitted by poloniumpoisoning to nosleep [link] [comments]

2020.08.12 01:02 Orpherischt The Spell Binder

This essay will be a combination of tutorial and demonstration - an illustration of the possibilities of creating a lexicon of words (ie. spells) from scratch - from the (hypothetical) perspective of the original architects of the alphabet and it's associated set of terminology.
ie. how to create a written language from it's elemental primitives - mathematically - in such a fashion that one might build spells (ie. new words, phrases and sentences) upon a simple numeric basis, crafting strings of text that sum to desired numbers of tribute (which might be done for a variety of purposes: mnemonic, scientific, mystical, or religious, or perhaps, at a stretch, for the purpose of subliminal encoding, based on the presumption - or upon experimental knowledge - that hammering home a fixed alphabetic order into the minds of the newly literate - via a catchy song perhaps - might trigger subconscious calculation).
The art of combining numbers and letters is known as 'gematria', or 'isopsephy', and this practice is often described as 'attempting to find thematic correspondences in words that share the same sum total, when the letters of the word - having known numeric values - are added up'.
This tutorial works from the opposite direction - from the desire to create a dictionary full of words that do indeed share thematic connections when they share the same number.
This project requires that one define a new alphabet (a set of glyphs representing sounds or word particles) and to provide the letters of the alphabet with numeric values.
Fixing a standard alphabetic order of a particular set of letters (however many there are) implicitly provides each letter in that alphabet with a basic ordinal index:
(ie. A=1, B=2, C=3, D=4 ... Z=26, etc.)
Doing so automatically creates the most naive possible cipher: the basic alphabetic ordinal cipher. Of course, we might bring additional concepts into play, for there are such things as Prime numbers, and the Fibonacci sequence that creates an enchanting spiral Labyrinth known as the Golden Spiral. We understand, perhaps, that there are specific sequences of numbers that imply or generate geometric shapes such as triangles, squares, 5-pointed stars, hexagons, etc. Encoding such numbers would let us imply and refer to geometric foundations within the spells we construct. We might even assign an overall 'connotation' to the mathematical concept of triangular numbers, or prime numbers themselves, and then encode certain words with these numbers in order to subsume those connotations. For example, we might ensure that words to do with 'leadership' sum to selected prime numbers. We could design and encode new words for 'fire' and 'water' that sum to triangular numbers (because the alchemical symbols for fire and water are the upward-pointing and downward-pointing triangle, respectively).
Either way - letters are then chosen from our new alphabet in order to build up new spells (ie. words), such that the fledgling word aligns with existing words already having the relevant thematic numbers.
In essence this activity creates numerous layers (or strata) of meaning (ie. semantics). Within such a framework, each core theme or subject matter is indexed by its' assigned numeric value. A number becomes a symbolic representation of a particular knowledge domain (a real-life example might be the Dewey Decimal System, used to categorize books in a library).
When creating a new word to represent a certain concept, we would ponder and classify it's canonical meaning, and work to ensure that the spell sums to the number that has been chosen to refer to that domain.
We may well choose to work with multiple cipher schemas, so that every spell in our newly-crafted dictionary has multiple numeric values (ie. a spectrum), and can thus reference multiple subject domains, their priority decided by the cipher in which the numeric results appear. We might have the primary category of meaning of a particular word referenced via a prime number cipher, with less important (but still relevant) categories indexed using the triangular and squares numbers associated with it.
Depending on our desire to ensure that our coding system remains occult (ie. veiled from the everyman), we might design a rather obscure scheme, that requires certain permutative tricks to reveal. Otherwise, if we are building a simple system of mnemonics to record scientific knowledge that will be available to all, we might choose a very intuitive and on-the-nose philosophy and method of encoding: such as ensuring that in our new language, the written form of the words for 'trinity', and 'thrice' and 'three' - even if they don't all match the same number (which they might) - at least sum to a number divisible by three, or reduces to a digital root of three (for example, the number 12 reduces to 3 because 1+2 = 3).
Before we start, as an example, here are some recent alphabetic spectrum extractions, in well-known ciphers applied to the English language:
  • "The Spell Binder" = 454 primes
  • ... "The Spellings" = 454 jewish-latin-agrippa
  • ... .. ( "The Magic Words" = 454 primes )
Would you agree that there is a common theme to these spells, sharing the number 454 in what I deem are two very important ciphers?
Numeric Signposts :: Part 1 ( Prologue )
ie. keys and gateways into the conceptual archive
To me personally, there is no number that better represents the concept of numbers themselves than the number 123, or even better, 1234.
The number 1234 is a simple sequence implying all numbers, all mathematics, all numerology.
If you wanted to convince someone that perhaps there is some sort of numeric code to be found within an alphabetic lexicon, I argue that a key phrase summing to 1234 in an intuitive cipher would go a long way towards doing so, and such a construction, it could be argued, might stand as evidence, or as a signpost, that further investigation is warranted.
What might such a phrase be?
Surely, you have heard someone rattle off the (ostensibly rhetorical) question...
What's in a name?
Indeed. What is in a name? How many levels of semantics (ie. meaning) might be encoded into a word (and generally speaking, all words are names for things, be they objects, activities or relationships).
We notice that "What's in a name" is an orthodox contraction. The apostrophe-s tells us that letters are missing. Let us formally expand that, and take it's number in the jewish-latin-agrippa cipher (known also as the Agrippa key).
  • "What is in a name?" = 1234 jewish-latin-agrippa
How do I read that?
It tells me there are numbers in names, and that I should delve deeper, for perhaps there is...
  • "Great Knowledge" = 1234 jewish-latin-agrippa
... to be found.
In the Bible, we are told that Adam named all the animals, and it was a task appointed to him by the Lord of the Garden. In the triangular number cipher (which assigns numbers implying triangular shapes to the alphabet), we see that:
  • "The Spells of Eden" = 1234 trigonal
In terms of the number 1234 being a potential 'signpost' code, or gateway key - a hint that alphanumeric encoding has taken place in any particular language - we might ponder the number itself. If we replace the numbers with the associated letters of the English alphabet, we get:
1234 @ ABCD
The letter D (which we might argue looks like a door with it's hinge on the left) is derived from the ancient Phoenician letter called Dalet, which means... you guessed it: Door.
Furthermore, the letter Dalet, in the Hebrew alphabet, which was developed in a time before there were independent numeral signs (such as the Arabian numerals we use today) has the explicit and accepted value of 4.
Thus I cannot help but read the number 1234 (and the sequence ABCD) as three steps leading up to a door waiting to be opened.
The sequence [ ABCD @ 1234 ] also acts as a metaphor for the life cycle of the family. Based largely on accepted meanings of these letters of ancient heritage:
A is Alpha, derived from 'Aleph' (ie. Ox or Bull, implying strong masculine leadership. The Alpha male, Adam).
B is Beta is derived from 'Beth' (ie. Enclosure or House, implying the feminine. Adam's better half, Eve).
C we might see as the Child, the offspring and kin, that derived from the coming together of A and B.
D is the Door through which we exit upon Death, after (hopefully) propagating ones' bloodline into the next generation.
Letter D, and thus Number 4, indexes the 4th triangular number, 10, and the symbolic structure defined by this interpretation is known as the Tetractys.
In Roman numerals, the number 10 is represented by X, the Cross, and we all know that X marks the spot.
The Roman numeral 'X' is made of a vertical mirroring of two 'V's, and V has the value 5 in the Roman scheme:
5+5 = V+V = X = 10.
The letter V begins the name Venus, the planet of this name makes a 5-sided pentagram in the sky:
Another example of ABCD:
  • "Code of Culture" = "Culture of Code" = 1234 trigonal
Remember, the word 'code' does not only imply a 'technique for enciphering information', but also implies a 'way of doing things'.
The codes of behaviour of a civilization are it's traditions.
And don't forget that DNA is the code of living and growing things.
While not the focus of this essay (though it is a major focus of this forum), one might want to ponder if perhaps the newspaper editors of the major press institutions are aware and fond of alphanumeric spell-casting, and make more use of it in constructing those hyperbolic news headlines than you might imagine.
After all...
  • "Crafted News" = "World of Lies" = 1234 jewish-latin-agrippa
Onto another example:
  • "Build a Spell" = 1,617 squares
  • ... ( "Textbook" = 617 jewish-latin-agrippa )
  • ... ( "Recommendation" = 617 jewish-latin-agrippa )
  • ... .. ( "The Official Narrative" = 617 primes )
Ponder the legend of the Holy Grail, and it's associated Chalice. The finding of the Grail could be said to represent the Ultimate Attainment that a man might strive towards.
Might not the "Rugby World Cup" = 617 primes ...
... be an extended metaphor for the Grail, whatever it might actually be?
The Golden Ratio is a well-known mathematical artifact that represents the Golden Spiral. Likewise, the image of the Golden Spiral, or it's appearance in nature, implies the Golden Ratio.
We note that the Golden Ratio, accurate to three decimal places, is 1.618...
Q: what does the official narrative recommend?
"A: Build a spell" = 1,618 squares ( "Symbolic" = 1,618 squares )
... this might be reworked as a statement about quantum-entangling numbers and letters:
  • "A=1: Build spell" = 1,618 squares ( "Know a textbook" = 1,618 jewish-latin-agrippa )
Note: I will take some time to work this essay into shape here, over a few days, on the air, as it were. Hence, checking back might reveal some additions or reworkings have occurred.
Building a grimoire (ie. a dictionary) :: Part 2 ( Introduction )
So you are a Wizard, a wise Sage that enjoys Number Games, and you are building the Lexicon of a new Language, a new Vocabulary of Spells (perhaps to educate the peasants that live upon your Land - because you are the giving sort - or you want to be able to Sculpt the very Contents of their Minds to Conform to certain intellectual Pathways).
Perhaps you have some important Numeric Data Points you Desire to Encode into your Words. You are a keen Witness of the Goings-on that may be Observed in Society, in Nature, and in your own Mind's Eye. After all, since you spent the last five years confirming that indeed there seem to be roughly 365 days in a year, you want to make sure the new word for 'year' sums to 365 in some key mathematical alphabetic cipher.
Perhaps you've figured out pi to three decimal places (3.14...) and thus you want to encode the Number 314 into a Key - what we might call a 'Password' entry in your Grimoire, in order to pay Tribute to the tricky transcendental geometry of the Mathematics of the Circle within your Spells, particularly since you recently became enamoured of the Life-cycle of the Pride of Lions that Hunt on the savannah beyond your Castle and it's attendant Village.
What follows is a summary description of the mental process such a spellbinder might go through as he builds his lexicon, using the most basic of Examples.
I will attempt not to burden this document with a Mess of Lists and numbers and Calculations, so it will be primarily descriptive of the Notions at Play, rather than contain Explicit Demonstrations of the Inner Workings.
While this tutorial will use the conceit that we are building a 'new' language, it actually embodies notions that I suspect do indeed lie behind the creation of English (at the least), and we will use English words as representative of some fictional 'new words in a new written language'. I leave it to you to accept or reject these presumptions, but even if you do, it does not discount the possibility of 'key notions' being used as a Scaffolding for the hypothetical Magnum Opus.
I have italicized certain words above and below simply in order that you might ponder them as key abstractions that might be selected by any particular alphabetic architect as important subjects or objects of an alphabet code, or as abstract metaphors for the actual subject(s) or object(s).
So, you, the High Wizard of the Tower, are crafting a new Written Language, with it's own Alphabet, and a Vocabulary of written Spells.
You dabble in various intellectual studies and you have a keen Interest in this and that. You enjoy fiddling with Numbers and Geometry, and enjoy looking at Maps of the Earth - places you'll never visit because you are a shut-in.
You've been Instructed by your Forefathers in the Concepts of Space and Time, of the Geometry of the Circle, the Square Foundation, the alchemical Triangle of Fire and Water. You've pondered Weighty Matters such as the Maxim of 'as above, so below', and of magic Mirrors and the Reflections there-in. You've pondered the Mind and Body of Man and Woman, and their various usefulnesses and failures. Some few of your Relatives were (and are still) great Travelers, and have brought you knowledge of distant lands and the Customs and Traditions of the People that dwell there. Perhaps you have at your disposal knowledge of a Selection of extant foreign languages and the alphabetic Glyphs that they use (or once used) to Sound out words.
Mostly you really enjoy the concept of a Great Mystery, and of Memory, and of preserving an Archive containing the Legacy of your Thought.
Perhaps you are a Man, and while solitary, your Eye occasionally goes to the Window and gazes down at the pretty lasses that bustle about the local market just beyond the Tower Walls.
Since you are a Student of as-above-so-below, you acknowledge that perhaps those lasses are the real magic - possessed of the most elegant Geometric Curves, and seem to you the ultimate extended Metaphors of Geography itself - and since you are a shut-in, they are the Essence of Mystery and of Hidden Charm. Perhaps you even Fear them and their wiles, and you castigate yourself for this weakness - indeed you acknowledge that you are perhaps wasting your Time with your spelling game, and should go out to inquire of them.
But no, you must build your lexicon - and with the lasses being perhaps the primary Objective of every testosterone-driven male, you decide that they shall be the Subject of the primary Tributes in the spells that you will Craft.... Language is sexy, after all (you think) - and since the lasses are Plato's cave incarnate, an Allegory which you heard about from a Mentor years before, your lexicon will be a crystalline Matrix - a Mother that will pour forth Children known as Words. These Sparks of abstract Intelligences will be the Fire in the Minds of Men. Or at least, in the minds of your local villagers, as you teach them the ways of your new Creation.
After gifting them with the results of your craft, the villagers will be able to Write Letters to eachother, Communicating from Afar, and Record their Deeds - but no matter what they write, they will be subconsciously reminded of the wonders of Mom, and of Sweetheart, and of Wife, and the memory and compassion of Grandmother. They will be Righted as they make use of the product of your mathematical Rite of creation. They will never forget the importance of a strong Family, and of the importance of wise procreation, and they will be Fruitful and Multiply, so that their children can tend your Fields, and write more Letters to their Friends. And they will be Projecting your Knowledge and Memory into the Future as they do so.
Every phrase they ( and you ) write will be a hidden tribute to your Arts of Magic.
The Wise amongst them, that ponder the possibility that hidden messages might lie Veiled beneath each glyphic construction, and that finally decode The Alphabet Ark that was your Labour of Love, will never forget that there are 365 days in a year.
  • "The Alphabet Ark" = "Accountancy" = 393 primes ( "The Symbol" = 393 primes )
  • ... ( "Tradition" = "Accurate' = "Count" = 393 jewish-latin-agrippa ) ( = "The Root" )
Crafting an Alphabet :: Part 3 ( The Foundational Glyphs )
Before we can begin building words, we need some phonetic symbols or ideograms that will constitute the elemental components of our new alphabet, and we need to decide upon the order thereof (for this ordering is what allows numeric indexing, and thus mathematic encipherment to occur). These glyphs could be entirely arbitrary, or perhaps derived from those of existing scripts. If you, the encoding Sage, are fascinated with the Greek myths, you might choose to derive the letters of your new alphabet from the Greek letters, twisting and rotating and modifying them to better suit your aesthetic notions.
If you already have signs for individual numbers, like '1', and '2' and '3', you might transform these number signs into letters directly, via a process of mutation (rotation, inversion, mirroring, warping), and thus physically hide the numbers within the letters themselves (ie. see the practice of sigil-making, which breaks letters and numbers into their component arcs and lines and re-arranges them to make a new sign).
Alternatively you might attempt to use your own intuition to design letters that model the position of the mouth and tongue, and the use of breathe, in forming their associated sounds.
There are many ways to go about this. Even though your ultimate goal is to simply assign these letters a numeric value (via their position in the alphabet), you might want to go further and encode certain meanings into each letter itself. You might want the 1st letter to represent 'Existence', for example, and the second and third to imply 'Sky' and 'Earth', and the fourth to mean 'Motion', etc. etc. You might encode this meaning by the shape of the glyphs, using pre-existing notions of alchemy, or tarot cards, or whatever. Either way, in doing this, when you then get to selecting letters to make up a new word, you might be guided by these individual glyphic semantics that become elemental components of the overall meaning of the word. You might design a new word with the meaning of 'fire', that is made up of letters meaning 'wood' and 'spark', for example.
In terms of encoding words for mnemonic purposes, you might be sure to encode the temperature in degrees Celsius above which your physician deems you have a fever... into the sum total of the word 'fevered'.
In basic English gematria, the word 'fevered' sums to 38 in the so-called Pythagorean reduction cipher, and which is the temperature in degrees Celsius, which if you registered it, would be above that by which many institutions will decide not to let you in, in-case you carry the so-called 'Coronavirus'. Furthermore the English word 'fire' sums to 38 in the most basic ordinal cipher. The colour of fire might be described as 'gold' - a word matching 'fire' in that same basic ordinal scheme.
Scientists tell us the the Coronavirus can be killed if heated to 56 degrees. The word 'Coronavirus' sums to 56 in reduction.
Regardless of whether this is by design or coincidence, this is the sort of numeric data one might want to encode into words as a form of mnemonic.
You might decide that the number of letters in the alphabet is itself a specific tribute to some baseline concept. This number might act as a decoding key to the entire scheme (there are many discussions about the 22 letters of the Hebrew alphabet and it's relationship to the major arcana of the Tarot deck, and we might examine the 26 letters of the English alphabet with relationship to the word 'God').
The number 26 reduces to 8 (for 2+6 = 8) and the number eight is a rotated form of the infinity symbol, or an hourglass set to running, implying the totality of Time itself.
In the end, the Wizard completes his new alphabet, a set of 26 glyphs:
In general you need enough signs to efficiently handle the variety of sounds in the spoken language that it will encode. Certain sounds might require more than one letter to represent, or perhaps require accent markings (which may or may not imply a numerical transformation). You might decide that a letter with an umlaut (ie. two dots above it) representing a certain sound variety, has the value of the base letter plus two (one extra for each dot).
In studying language we read about vowels and consonants. The vowels are pure open tones, each with a certain inflection, created by the voicing of breathe. Consonants meanwhile (either voiced or unvoiced) are 'closed' sounds created by some impact or pressure of the mouth parts. Some create a sense of pressure, such as 'n' or 'm', while others are explosive, such as 'p' or 'b'. The use of these different varieties of sound the alphabet architect might wish to wield as having their own implicit meaning or application. Arguably the word 'fire' begins with 'f' because the sound implied by 'f' resembles the sizzling of a flame or that being cooked within it. Onomatopoeia is a great tool for ensuring that the words of a language are memorable and applicable. They make teaching a vocabulary easier if they are used in a consistent fashion.
So, our spellbinding Wizard has spent some time analyzing the speech of the villager caste that live about his castle, and has decided that the following letters will represent the vowel signs achievable and commonly used by them:
  • AEIOU ( with perhaps Y and W, and even H being included in this list, depending on circumstance )
Meanwhile the consonants will be:
We note that many older alphabets did not have vowels at all. Only the consonants were represented by letters. This could be because the relevant languages and their words remained fully understandable even though the written form lacked vowels. This, implying perhaps that the language is or was simple enough that the meaning remains obvious. In English however, for example, we have many words that sound essentially the same (such as 'rain' and 'reign') but ostensibly have very different meanings. It is up to the listener to use context to disambiguate in the spoken meaning, while in the written form, the different spelling provides further clues to the intended semantic domain.
Another way to view this, is tied to certain understandings of the esoteric philosophy of the Language of the Birds, or the Language of Branches used by the Kabbalists. In this case, we might argue that the words 'rain' and 'reign' do not actually mean entirely different things, and that while in everyday speech they appear to refer to unrelated concepts, in actuality - in the minds of those that designed or manipulated the orthodoxy of the language - they are related, being intentional metaphors for one another. In this regard, ponder the legend of the Fisher King, who is wounded in the groin, or 'leg', and his kingdom is bereft and 'fallow'. The Knight that seeks him out and asks him a certain pertinent question heals the King, and abundance is brought back to his land. His reign is redeemed, and the rain falls. Ponder the 'rainmaker' vs. the 'kingmaker'. This conceptualization brings together ancient notions of the 'fertility cult' and sacred king, of the Sky as Masculine, that rains upon the Feminine Land, fertilizing it and ensuring the Cycle of Life continues.
Arguably, this possibility is tied to the notion of consonantal roots.
If you research the extant esoteric ideas about consonants vs. vowels, you might come across the idea that vowels are in some sense 'heavenly' and 'spiritual' (being sounds primarily driven by the outflow of breath), while the consonants are 'of the earth', because they are generally hard and impactful, implying the collision of matter.
Some have argued that vowels were not recorded in the written form of certain languages because to do so would be in some sense blasphemous, an attempt to represent the celestial breathe of God within the material realm, and so authors made do with consonants only. Others argue that certain ancient texts were recorded without vowels (or even spaces between words) in order to encrypt them somewhat - to make proper understanding difficult, and enabling the priest class to maintain their hegemony as the righteous keepers of the canonical interpretation.
It might be argued that consonantal roots provide a scaffolding or skeleton, that is then clothed with the animating spirit of the vowels. For example, the words 'run', 'rain', 'reign' and 'rune' and 'ruin' are all based on the 'RN' consonantal framework. We might argue that 'RN' is a major branch upon the tree of language, and the variety of words built upon this branch are derived twigs or leaves, with some implicit connection to each-other - a connection perhaps intended by alphabetic architects and dictionary publishers.
I sometimes argue that the complex nuance of meaning we think we possess in the English Language is an illusion, and that ultimately there are very few 'real' concepts being communicated, or intended to be communicated by these derived words.
Another aspect to consider is the ease with which the sound of certain vowels or consonants can drift, and turn into others. Vowels are generally viewed as more interchangeable, being perhaps the primary difference between the accents of speakers from different regions that use the same language.
You may have heard of the Great Vowel Shift:
This 'event' represents a major historical change in the use of vowels within the English Language, but I prefer to view it as a clue, indicative of an ongoing tradition of vowel shifting as a component of the 'Green Language' ( arguably another name for the Language of the Birds, an esoteric tradition of understanding and using language to hide double-meaning).
An innuendo-filled example:
Green --> GRN [consonantal root] --> Groin --> Fertility ( Green pastures ) --> Grin ( wink wink )
Note how the triune GRN root contains as a component the dual RN root. The Rain makes all Green again.
Yet another aspect to consonantal roots is that of mirroring:
RN @ NR ---> Run toward me, come Near... or... the lion is too Near, so Run away, ye Runner.
The specific 'meaning' of this reversal, or how it is used, is up to the spell-caster. Mirroring might imply opposites, but it might simply be a way of creating a new avenue of words that have the same core meaning as the unreflected original construction.
Adam, the first Man, was given the task of Naming the beasts of the field:
Man --> MN @ NM --> Name (while Simba the Lion King has a Mane)
The initial root of the name Simba is SM --> Semantics (ie. Meaning).
I argue the Biblical name Shem, son of Noah is the root of the word 'Semantics' (Sh being easily derived from, or morphing into, 'S', while 'Ch' and 'T' lurk not much further away). The name 'Shem' means... 'name'... and the family name going abroad, and the family tree is implied. The family grows as semen is sown. The ancient Phoenician sea-kings were virile Seamen, and each of these were carried in a Vessel. Their Tyrian-purple dye still denotes royal blood and rulership to this day.
Kings and Queens must prepare the Princes and Princess to succeed them one day. The tradition of Learning, of Schooling, is perhaps a central notion to an alphabet code, especially since Literacy is a major component of being worldly-wise.
Learning the letters is one of the first things taught in the child's first years in class.
Examine these headlines, dealing with the topic of schooling in this Age of Self-Isolation:
How to Make Remote Learning Work for Your Children
The word 'Remote' is built upon the RMT consonantal root.
The root 'rmt' happens to be an Egyptian word, meaning 'man' or 'people' in general.
ie. We might read into the headline a subtle play upon how to prepare ones' child to become an adult, and take his or her place amongst the people.
Ponder: Remote @ RMT @ Room-mate
...and see also:
... .. and:
... .. .. and thus:
Via Agrippa's key in English:
  • "The Hermetic Learning" = 555 jewish-latin-agrippa ( = "Prison Planet" )
...and ponder the interchangeability of
Write @ Right @ Rite @ Holy Writ @ Read @ Rod
This hermit writes...
  • "The Hermit Rites" = 969 in the english-extended cipher
  • ... ( "Matrix Code" = 969 in the trigonal cipher )
An anagram is a word that contains the exact same set of letters as another word, re-arranged in a different order.
The word 'rites' is an anagram of 'tires' ( ie. the hermit grows old, and 'retreats into the woods')
...meanwhile 'rites' is also an anagram of 'tiers' (those of the hierarchy of Society), a word which phonetically morphs into 'tears' very easily.
Going back to the 'Hermit', consider that the consonants 'T' and 'D' are highly interchangeable, for 'D' is simply a voiced form of 'T', and we've noted above that 'H' is arguably a pseudo-consonant, which, if it does not harden to become 'Ch' or a grating 'Gh' sound, can be softened such that is eventually becomes a breathy vowel, or disappears altogether.
... thus: Hermit @ HRMT @ (H)RMT @ RMT @ RMD @ Armed...
In other words, the children of the humanity, made unwilling hermits by the government(s) of the world, are to be armed, remotely, with all the information they need to adjust to the New Order of things, and to take their place in the Brave New World of the Unified Religion of Coronavirus.
Also, since the consonant root RMT is the Egyptian word 'rmt', meaning 'man, mankind, people' we might want to avoid eating Aromat if we don't want to take after Hannibal Lector.
Lector is a Latin word for one who reads, whether aloud or not.
After all, we might point out that the name 'Coronavirus' is an anagram for 'Carnivorous', and both terms roll off the tongue in much the same way.
Thus the alphabet sage might consider, in performing his or her spell construction, working from the foundation of consonantal roots as a starting point, assigning certain roots to specific domains of meaning, and then adding vowels to create nuance:
RN @ NR root:
The Noir:
The Rains fell, and rivers Ran down the mountain slopes, and the river Rhine, swelling, crept Nearer to the villages. The flood rose swiftly, and thus Ruin fell upon the Reign of the ancient kings. Many of the folk Ran to the Round hills of Iran, those crowned with the Rowan groves of the Wren-bird - but to no avail. The constellation of Orion the hunter ascended the heavens, and the Iron clouds of storm abated, the curse of Rains having Run it's course.
As mentioned above, certain consonants too, can be easily transformed into others, especially if one was historically derived from another, such as the examples of V and W (and F), and also of C, K and G (and Q).
Some existing languages use the letter V to make the sound 'w', and vise versa.
The W, like Y can morph between vowel-hood and the realm of consonants. If expressed with less explosive force, it can turn into an O sound ( wherein the word Womb might become Oom, and thus Ovum and even form A Fem).
And as such, a Riven shield is Ruined.
In terms of numerical construction, we might pick a certain range of numbers that will represent the knowledge domain of 'destruction', perhaps for personal, religious, customary, or scientific reasons. If, after the flood, Noah sat down to craft an enciphered language for the new population, he might have chosen to enshrine this destruction domain to a number that encodes the date that the flood began on the ancient pre-flood calendar system.
Perhaps you suffered a memorable loss or injury in your 15th year, and knowing the 15th Tarot card is the Devil card, you work to ensure that numeric total of words implying the domain of loss or destruction reduce to 15.
If you knew the world experienced massive cataclysm every 10,000 years, you might encode this number into the word for 'destruction' using Fibonacci numbers, and thus signal the Deleting of civilization as it passes through the Dalet of a cyclical Door in time.
Lets say you as Wizard are master of many domains and have pondered the elemental nature of matter, spirit, activity and inactivity. You have decided there are 5 physical elements (perhaps fire, air, earth, water, and a special something you call quintessence, or 'organic life') and a number of Great Archetypes, and you've decided that all things that Begin must come to an End, and that there are Forces and Cyclical Motions. Life and Death, Pleasure and Pain. Praise and Mocking. Growth and Diminishment. To you these things are All Things. You cannot ponder any subject, topic or thematic notion that is not reducible to these elements. Some of these elements might be rather abstract, due to the limits of your knowledge, or the conviction that This is How Things Are. Perhaps you have a much larger, yet still finite set of Basic Elements of the Multiverse.
Perhaps you were visited by an Angel on one Midsummer's Eve, and through it God gifted you with the knowledge that his Archangels, visible in the world as the planets Mercury, Venus, the Moon, Mars, Jupiter, and Saturn, played the instruments whose sounds combined to create the Song of the Seven Heavens, and each as it waxed and waned, journeyed and turned, inspired mankind with is variegated emotions.
Perhaps Neo, the One, visited you one day and broke the news (with conclusive proof) that your mind was being fed a false reality that you have lived within for 2000 years, being endlessly re-incarnated within a digital virtual world, generated on a 386 computer chip with 3 megabytes of RAM and a 22 megabyte hard drive, and capable of accurately triggering 33 human emotions within your brain, which is sitting in a fish-tank on an alien spaceship.
Neo tells you that nobody else knows it yet, but any human being, at any time, living in this fish-tank world, can inevitably defy gravity and gain the ability of flight if one rapidly ponders the numeric sequence 6, 12, 25 over and over again for 1 full minute. Of course, since you have no recourse but to continue living in this simulated Matrix world, you will be sure to encode the number sequence 6, 12, 25 into a new word, providing you with a spell you can chant that give you the power to F.L.Y.
However it is came to be, you have plotted out a schema for all human ideas. You could list them in a book of a few hundred pages perhaps.
Given that, you have decided you only care about the integer numbers 1 to 1000. You find no need to describe larger numbers of things - and if you need to, you can refer to one hundred 1000's.
You decide to divide 1000 by the number of basic elements and activities that you consider foundational, and thus end up with a number of bands or segments partitioning the number line. These separate portions of the number line will each be assigned to one of the core knowledge domains about which you've been pondering, driven by whatever strange notions or personal associations or accurate scientific data you desire to map to these domains. You might choose to map the concept of 'planning' or 'foresight' to the subset of the number line stretching from 116 to 125, for example, with a particular focus on the numbers 119, 120 and 121, because you read that 120 is the maximum life span of Biblical man, as decreed by God in the Genesis 6:3. Plan for the eventuality of your death, is your philosophy, perhaps, as you consider notions of inheritance and long-term family prosperity.
Next you will design spells that refer each to a primary domain, to one of the items listed above. You will create words and names for the superstructures built out of these elements. Complex Objects that you see around you, such as Plants, Animals and Humans, and also the Intricate Activities that you see going on, like Attraction, Repulsion, Implosion, Explosion, Idleness and Fervor, Swimming and Leaping, Eating and Drinking. You will model these Objects and Activities in a numerically-encoded symbolic form. It will be a multi-spectral mind map of your understanding of the World.
Next, we finally get to the meat of this essay, part 4, Numerical Spell Construction, continued in the comments. ( "Garden of Eden" = 247 jewish-latin-agrippa ) [ 24/7 ]
'Paradise' - by Within Temptation ( "I Wonder Why?" = "Numerology" = 474 primes )
'Why?' - by Devin Townsend ( "The Source" = "Vexation" = 365 primes)
The Chest, the Heart, and the Key ( "Key of David" = "The Message" = "The Show" = 317 primes )
The Organ of Davey Jones
submitted by Orpherischt to GeometersOfHistory [link] [comments]

2020.08.11 15:14 HeadOfSpectre I've Been To Hell, This Is What I Saw (Part 1)

I don’t know who found the temple. Farmers, maybe. People who didn’t know just what they’d stumbled upon. I’ll bet they just thought they’d found an interesting archeological ruin and that was it. Nothing more than ancient, crumbling stone and broken pottery. That’s what I would have expected to find in there, at least.

I was never one for digging in the dirt myself. I don’t have the patience for that kind of thing. There’s no rush of adrenaline to it. There’s nothing to make your heart race and keep you on the edge. Back before I left the military, my old CO called me self destructive and yeah, maybe he was right about that. I just like the rush. I dunno if that’s because I’ve got something to prove or if I genuinely just don’t care if I live or die. Maybe I’m just fucking crazy.

I’ve gone through FUBAR ops before and don’t get me wrong, it’s not a situation anyone wants to be in. People die. You do shit that by all rights, should leave you with nightmares. Just thinking about it makes my hands start to shake. But when the shit hits the fan, it gives you an opportunity to see what you’re really made of. Some people break. Some people take it in stride and a few of us thrive in it. I won’t say I’ve ever wanted to see an op go to shit, nobody does. I’ve seen things that have left me waking up in a cold sweat for years afterwards. But if you asked me to relive my past Ops, I’d say I’d rather relive the worst ones first because those are the ops that made me savor every beat of my racing heart.

I say all this to provide some context for everything I’m about to say. I want to make it clear that I’m not someone who scares easily. If that security gig in Italy had been your run of the mill firefight, it would have been nothing more than a happy memory. What it was, though was something I still have difficulty describing. It’s been a few months since I got back and I still can’t sleep. Every time I close my eyes I’m back there and I can hear the inhuman screams of those creatures. There are some things in this world that are not meant to be fucked with. What we found down there. What we lived through… That was one of them.

I’m aware that I’m breaking my contract by sharing this information and that after this, I can kiss my career on the circuit goodbye but honestly, I don’t fucking care. Montu Defense Services can go fuck themselves for trying to bury what we saw. My name is Corporal Jasmine McKay, I’ve been to hell and this is what I saw down there.

The temple was located in Italy, a few kilometres off the coast. I’m not exactly an archaeologist so I can’t tell you much more than that. I don’t remember what towns were close by but there was nothing big. This was about as close to the middle of nowhere as we could get. Going in, all I knew was that we were dealing with an archaeological discovery. I figured it must have been something big for someone to have hired a PMC to guard it. I didn’t think about it too much though. Money is money after all, right?

I recall hearing some of the chatter around the dig site during the early days of our deployment. Some of the folks doing the digging seemed pretty interested in the supposed age of the temple, which seemed to date back about 7 or 8 thousand years. There was mention on how the architecture didn’t seem to match with anything native to the area either. All of that admittedly was a little over my head. I didn’t bother asking questions, I just focused on my own job. As a rule, I generally didn’t socialize with the clients. I mostly stuck with my own in Fireteam Whisky.

While you were on a job with Montu, your fireteam was your family. I respected that. Ops didn’t typically go tits up but when they did, when you were in the shit, it was hard to care about the job itself. When someone starts shooting at you, the clients and their interests stop mattering. All that matters is you and your team. It grounds you, gives you something to focus on. In a way it simplifies things. Whisky was a good group of people. I’d worked with most of them before.

Captain Fred Compton was our designated team leader. He was clean cut, late thirties and no nonsense. Like me, he’d done his time as a soldier and I don’t think he really had much else to do with his life. I’d heard a few rumors about bad calls made in hot spots but I made a point not to listen to those. Compton was in charge for better or worse and frankly I’d say I’ve had worse COs.

We had two Automatic Riflemen, PFCs Calvin Blake and Allen Hopper. Blake was blonde, baby faced and about as green as you could come. For a rookie, the kid had one hell of a mouth on him but he was alright. Hopper on the other hand was a bit more seasoned. He was just about as close to a Texas stereotype as one might get. A modern cowboy looking to buy a ranch and drop off the face of the earth. It was no secret that he only cared about the money and so long as his wallet got fatter, he’d do damn near anything.

Our grenadier was a man we simply called: ‘The Cook’. I knew his actual name. Most of us did, but it’s a little harder to be taken seriously with a name like Maximus Pancake. ‘Warrant Officer Pancake’ doesn’t sound much better either and he didn’t like Max. So ‘Cook’ it was. It suited him more anyways. Cook was one bulky motherfucker but he was a gentle giant. He was a good soldier, but he wore his heart on his sleeve. If nothing else I respected him for that.

Me? I was the team's rifleman. In a combat op, I’d keep my distance and pick off tangos while Blake and Hopper laid down suppressing fire and Cook lit them up with his MGL. All in all, I can’t say we made for a bad team. We just didn’t know we’d be going into a FUBAR op. The job was just to guard a dig. That was all we were hired to do. Guard a fucking dig.

We were about two weeks into the job when everything went to shit. I can’t say anything particularly interesting had happened prior to that. The most excitement we’d had as when one of the other fireteams chased off some teenagers trying to sneak into the dig. Other than that, all was quiet. The clients did their dig and we kept watch.

I was off duty along with most of Whisky and in the compound we’d set up a short distance from the dig itself when Compton told us we were being briefed in the command tent.
“Five minutes. Be ready to move out. We’ve got work to do, Whisky.”
“Something big, Captain?” Cook asked.
“We’re about to find out.” Compton replied, “Come on. Let’s not keep the brass waiting.”
We knew better than to drag our feet.

Together we filed out of our little home away from home. The command tent was just a brisk walk away and I could hear Blake bitching the whole way there.
“The fuck have they got that’s so urgent?” He murmured.
“Just cuz it ain’t urgent to you doesn’t mean that the folks paying for our little setup here don’t think it's urgent.” Hopper replied, “Cheer up, rook. This job’s basically a vacation.”
“If this were a vacation I’d be in fucking Rome. Sexy Italian bitches, everywhere you look!”
“They generally don’t like it when you call ‘em bitches.”
Blake just scoffed in response as if Hopper didn’t know a thing or two more about women then he did.

I made it to the tent behind Compton. The brass, a middle aged suit by the name of Samuels was waiting for us along with one of the archeologists. A man by the name of Neil Serrano. I can’t say I ever learned much about him. He was in his mid thirties with meticulously styled hair and big plastic rimmed glasses. His neatly trimmed beard gave him something of a hipster vibe.

The Brass waited until we were all inside before he started.
“At ease, Whisky. This here is Dr. Serrano. I’m sure you’ve seen him around before.”
Serrano just cracked a shy smile and raised his hand in a polite wave.
“The supervisors of this dig have decided to permit Dr. Serrano to start moving deeper into the ruins they’ve uncovered. This is where you come in. There’s a blockage in a chamber leading to the lower levels of the ruins. That needs to be cleared away. After that, you’ll be escorting Dr. Serrano through the lower levels. Any questions?”

I raised a hand.
“With all due respect sir, why is a full fireteam being sent in as an escort?”
“Dr. Serrano, you made the request.” The brass said, looking expectantly over at him.
“Yes, well… We don’t exactly know what’s down there past the blockage.” Serrano said a bit sheepishly. “While I’m not anticipating anything down there. I am concerned by the possibility that we may disturb some local wildlife. Bears, mountain lions. It’s possible they may have found another entrance and are down there.”

“Bears?” Blake asked, cracking a smile. A glare from Compton discouraged him from any further comment.
“We’re there as a safety precaution.” The Captain said, “Cook, stop by the armory. Get everything you need for a demolitions op. The rest of you, standard operating procedure.”
“Yes sir!” Came the replies. Blake sounded just a little less enthusiastic.

As we geared up, I could still hear Blake whining about the op.
“They’re outfitting a full fucking fireteam to go into a hole? The fuck do they need the full team for?”
“We work as a unit, rookie.” I said, “That’s just how it is.”
“Yeah but for this? I’m not the only one who thinks this is a waste of time, right?”
I just picked up my standard issue carbine and pushed past him. Cook looked over at me, shaking his head as he finished outfitting himself.

We moved out less than twenty minutes after the briefing, following Serrano to the ruins. Blake had the good sense not to run his mouth off in front of the doctor at least. The exterior of the temple was nothing particularly interesting. It was little more than a narrow cave. I had to duck my head to get inside as I followed Compton and Serrano inside. During the weeks I’d been there, I had yet to actually enter the temple yet. I wasn’t sure what to expect inside.

Time hadn’t been kind to the ruins. I’d expected something more ornate and impressive. Instead, I just saw broken remnants of stone architecture carved into broken walls. A few artificial lights had been installed but they were barely enough to see by.
“Cook, move on ahead.” Compton said and I had to push myself against one of the walls for Cook to get past me.
“The blockage is just down this hallway, at the end of the chamber.” Serrano said. He gestured for Cook to follow him. “You’ve got the charges, right?”
“Should we be inside when he blows those things?” Blake asked, “Seems kinda hazardous.”

Compton opened his mouth to reply before he paused. Blake had a point.
“Rookies got a point. Cook, you good on your own?”
“I’ve got it handled!” Cook called back. “Doc, I’ll rig the charges but when I’m done we should both get clear. I don’t think I’ve got enough to bring this place down but I don’t wanna chance getting trapped in a cave in.”
“Right, right. You’re the boss!” Serrano assured him. Compton gestured for us to file out and we did. I could hear Serrano speaking to Cook faintly in the distance but not the specifics of what was said.

It was a few minutes before both Cook and Serrano filed out of the cave and a few minutes later before we heard the blast. Dust flew out of the ruins and we waited quietly to see if the cavern would collapse. I can’t say I was particularly surprised when it didn’t. Compton stared into the darkness as the dust settled. He looked over at us, eyes focusing on Blake.
“Blake, Cook. Take point. Let’s see if the debris is cleared.”
“Wait, what? Why me?” Blake protested as Cook started inside without a word.
“Because, if something came out there, I don’t want Cook handling it alone. Move out.”

Blake swore under his breath before following Cook inside. For a few moments, I could hear his faint complaining before Cooks voice cut through the darkness.
“Blockage is clear! Looks like it’s safe to keep moving.”
I could see Serrano’s eyes light up. He was the first one back in that cave and he moved with all the enthusiasm of a kid on Christmas. Compton followed him with Hopper and I behind him.

The dust hung heavy in the air as we moved through the ruins of the temple. I could see Cook up ahead, standing in front of a fresh hole where there used to be rubble. Now I could see stone stairs leading down into the darkened earth. They looked far better preserved than the rest of the ruins around us.
“This is it!” I heard Serrano say. “This is really it! We’re through!”
He stood over the stairs, almost quaking in excitement as he began his descent.
“Doctor, wait!” Compton called but Serrano didn’t listen. He made his way down the darkened stairs, turning on his flashlight as he went. Compton just sighed in frustration.
“McKay, Blake. Move up. Keep an eye on him. We’re right behind you.”
“Yes sir.” I said quietly. I felt a familiar surge of excitement as I started down the stone stairs with Blake behind me.

I didn’t expect there to be any light aside from our flashlights. I was wrong. I caught little glimmers of a blueish green glow on some of the walls. On inspection, I noticed little flowers that looked like nothing I’d seen before growing out of cracks in the rock. Their color seemed to shift from vibrant pinks to green and blue.
“Stinks down here…” I heard Blake murmur. I noticed the smell as well. Sickly sweet and musky.
Up ahead, I could see that Serrano had reached an ending in the stairwell and I moved down to catch up with him.

The chamber that the stairwell opened into was large and well preserved. It had a massive domed ceiling that loomed over us and I could hear my footsteps echoing inside. In the center of the room was a massive pedestal that Serrano stood over.
“This is amazing…” He said under his breath. His flashlight shone on the domed ceiling above us, “Can you believe we’re likely the first people to set foot here in… God… At least five thousand years, maybe even more!”

Looking up at the ceiling, I saw images engraved into the stone. There was one of what looked to be a bipedal wolf. It wore a long robe and seemed to have a feather by its head.
“What the hell is this place?” I murmured.
“Judging by the diagrams, it seems to have been a way for the builders of this temple to contact their Gods.” Serrano said. “I’ve seen some of these markings before. These are ancient entities… Some even predating the earliest known Gods!”
“Wouldn’t that make them the earliest known Gods, then?” Blake asked. Serrano's flashlight shifted to illuminate a carving of a face near the top of the chamber. The face looked skeletal with sunken eyes and a wide, predatory grin. Eight horns surrounded the face. Two on the top, two on the bottom and two on each side.

“If that's their God, I’m happy they died out.” I murmured as Serrano looked down at the pedestal.
“This must have been how they summoned them.” He murmured and reached out to touch it.
“I don’t think I need to tell you to be careful with that, Dr. Serrano.” Compton said as he, Cook and Hopper descended the final steps of the temple.
“It’s fine, I know what I’m doing!” Serrano promised. He held his flashlight in his mouth as he fiddled with the pedestal and Cook drew nearer to him to watch what he was doing. I could hear the heavy shifting of ancient stone before the ground beneath me started to shake.
“The fuck is that?” Blake called. Old dust and cracked stone fell from the domed ceiling.
“Earthquake!” I replied, “From the explosives, maybe?”
In the beam from my flashlight, I saw Comptons eyes go wide.
“Move! We’re going back up!” He called. “Dr. Serrano, leave the pedestal!”

Serrano looked up at him, I couldn’t read the expression on his face and frankly, I didn’t linger on it for long. A massive stone ring moved along the domed ceiling and up towards the demonic face in the center. I could see a second ring on the other side of the room moving up to do the same. Its trajectory cut off Comptons retreat towards the stairs and he froze dead in his tracks. The rings rose up and intersected beneath the carving and I saw a pillar of blinding white light erupt from the rings to the pillar. Compton froze, just a few seconds as the ground shook again, more violently this time. I don’t think any of us had time to react.
The last thing I remember before the explosion was Cook's voice, shouting: “RUN!”
Then came the deafening roar as the light overtook us and after that… darkness.

I was sure that I was dead. All I could see was darkness and the air around me was freezing cold. I was sure that we’d triggered a collapse and now I was dead. What a sorry way to go, right? After all the stupid shit I’d done, the bad ops, the pointless thrill seeking. All of that. I died in a fucking cave in. It seemed funny at the time. Funny enough for me to laugh at and I did laugh.

That laughter echoed back at me, and hearing it, I started to second guess whether or not I really was dead. Maybe it was just my imagination, but… I heard shuffling beside me. A groan that sounded a lot like Hopper. I flexed my fingers, feeling my aching body and realizing that somehow, I’d survived whatever had happened.
“Status report…” I heard Compton rasp. “McKay? Cook? Dr. Serrano?”

“Compton?” I called back as I slowly started to pick myself up. The ground beneath me was as cold as ice. Looking around, I saw that I wasn’t in complete darkness. There was a pale blue glow around me. It was enough to make out five other dark figures.
“I’m here.” Hopper called.
“Me too.” Said Cook.
“Jesus Christ, what the fuck happened?” And there was Blake.

Hopper turned on his flashlight, offering a little more light to see by. I could see Serrano on the ground nearby, slowly picking himself up. Cook offered him a hand to help him up.
“Did the chamber collapse?” Hopper asked, “Where are we? Why’s it so fuckin’ cold?”
I heard the crackle of Comptons radio as he tried to turn it on.
“This is Fireteam Whisky, does anyone read me?”
No response. There was only static.

“This is Captain Fred Compton from Fireteam Whisky. Does anyone read me? Please respond.”
Still nothing.
“Anyone got a cell phone or something?” Hopper asked. “Could be the radio is down.”
“I’ve got mine.” I offered as I fished it out of a pocket. I still had power but no signal. I could see Blake checking his own phone and swearing under his breath. He turned on his phone's flashlight instead.

“I got nothing!” He called, “Christ, did we get buried alive down here? How the fuck are we going to get out?”
“I don’t think we’re buried…” Cook murmured. He’d knelt down and had a hand on the floor.
“This is ice… Why would there be ice if we were buried?”
“Ice?” Compton asked. He looked down at the floor and pressed a hand to it to confirm.
“Maybe we ended up in another cavern, beneath the earth?” Hopper asked, “I dunno. Serrano, you’re the scientist.”

Serrano remained silent, looking at the somber blue hue surrounding us.
“Well, if we’re in a cavern then it has to lead somewhere.” Compton said, “Maybe we can find a way out, or at least get a better idea as to where we are.”

I shone my phone's flashlight upwards, looking for a hole in the ceiling we could have fallen through. I saw nothing save for a few pieces of broken stone embedded in the ice. The shape of it reminded me of the temple we’d been in but I couldn’t say much else about it. I caught Serrano looking up at it too.
“Doc?” I asked. He looked over at me. “What do you make of this?”
“I don’t know.” He said softly, “This… This doesn’t make any sense it’s like… This area we’re in. The design is somewhat similar to the chamber we were in before. This doesn’t seem to be the same location though.”
“So what? Are you saying we teleported?” Hopper asked.
“I don’t know…” Serrano replied, trailing off as he stared back up at the ceiling.

“Well, we’ll have time to figure that out as we move.” Compton said, “If everyone’s good to go, we should get moving. The rest of the dig probably heard the collapse. They’ll be looking for us. We should move out. Maybe we can find a better place to contact them. Either way. Doesn’t seem like there’s anything for us here.”

It was hard to argue with that. I looked around at the others and saw no dissent on their faces. Compton looked ahead into the dark before he started to walk and slowly, the five of us followed him.

I don’t know just how long we walked. The frozen caverns seemed to wind and twist in on themselves. The ice was slippery and difficult to walk on and there were some inclines that needed to be scaled.

I’d say we must have walked for a good few hours, with only our flashlights and that pale blue glow to guide us. Every whisper and every footstep seemed to echo in the darkness and the sound of it sent shivers down my spine. Even less comforting were the footsteps and whispers that I wasn’t sure came from us…

I was sure that my mind had to be playing tricks on me. But from the corner of my eye, I was sure that the shadows seemed to move. I heard low whispers echo off the walls of the glacial caverns and I don’t think I was the only one to hear them.

Hopper seemed to slow down at one point and let me walk up beside him.
“You’re hearing it too, aren’t you?” He whispered. I just gave a grim nod.
“We’re not alone down here.” Hopper said, “I think they’re following us. Not sure if they’re just curious or if they mean any harm.”
“You get a good look at them?”
“No. Captain sees ‘em too though. So does Cook, I think. Nobody else is panicking so let’s just stay frosty… But this doesn’t sit right with me. Not one bit.”

I glanced backwards. In the darkness, it was hard to tell if anything was waiting for us. A heavy shadow seemed to pass through the blue haze which made me clutch my rifle just a little bit tighter… But if something was out there, it wasn’t ready to make its move just yet.

I don’t know how much time passed before we finally stopped. Compton slowed his pace and sighed. He looked back into the darkness before gesturing for us to stop.
“Let’s take a break, Whisky.” He said, “Check your devices. Let’s see if our luck has improved any.”

We’d made brief stops to try making calls or pinging someone on the radio before but we’d had luck so far. Our final stop made no difference at all. I could see a hollow unease in Comptons eyes as he debated pressing on even further or not. Finally he shook his head.
“Let’s set up camp. Try and get some rest.” He finally said, “We’ll sleep in shifts. McKay. Hopper. You two have first watch. Switch out in two hours. If you see anything you don’t like. Kill it dead.”
“Sir yes sir.” Hopper murmured. He watched as the others tried and failed to get comfortable. I don’t know if they got any rest but there was no fire and no food to be had.

I strayed over to the far end of one of the stretch of cavern we’d camped out in. The wall was solid ice and I took out my knife to chip some of it away. It was the only source of fresh water that we really had. Hopper stood closer to the rest of the camp, staring expectantly out into the darkness and I chipped some ice away for him as well.

Then from behind the wall, I saw a shadow moving. A long, creeping darkness on the other side, as if I were looking through a blurred window into a void. I shrank back a step, watching as the dark shape coiled and vanished. Glancing over at Hopper, I knew that he’d seen it too.

“Something is out there.” He said calmly.
“Out there?” I asked, “What the fuck do you mean by ‘out there?’”
“Well, I reckon that where we are right now is in some sort of iceberg or glacier. Would explain the ice. Ice needs water to form, right? So obviously there’s water nearby. Then of course there’s the movement on the other side of some of these walls… A fish of some sort would be my guess, judging by the way it moves.”

I stared at him, unsure whether or not I should believe a word that he said before I dismissed it. I offered him the ice I’d chipped away and watched as he popped it into his mouth.
“You think that’s what’s been following us?” I asked.
“No.” He replied plainly, “They’re about twenty feet behind us and watching us very closely.” He said. I looked over into the darkness but didn’t see anything. All the same I was sure I could feel the eyes watching me.

“I think they’re going to move soon,” He said. “This is just the calm before the storm.”
“Why not shoot them, then?” I asked.
“Cuz I don’t know for sure if they’re gonna move and I don’t know how many of them there are. You wanna pick a fight with some folks you can’t see and don’t know anything about, be my guest. But trust me, it’s not a good idea.”

I stared into the darkness, knowing that he had a point. All the same I was tempted to just start shooting. I didn’t. But I was tempted to.

It was less than an hour before they came and when they did, they came in force. We didn’t have much warning. One moment, all was quiet. The caverns were dark. Then came the light of torches in the shadows around us. I was with Hopper when I saw them and he clutched his rifle close, ready to fire when they made their move.

In the dim light I could see their pale masked faces with snarling fangs and ice blue eyes. There were more of them than I could count and they were inching closer to us, spears at the ready. Hopper raised his rifle but he didn’t fire. I held my own gun at the ready as I backed up towards Compton and nudged him with my boot.
“Captain, we’ve got trouble!”

I saw Compton sit up, groggy and uncomfortable before his eyes widened. He was on his feet immediately, going for his own rifle and taking aim at the advancing figures but like Hopper, he didn’t fire. There were far too many of them. If they rushed us, I don’t think we’d have survived.
“Hopper?” He called as I gave Blake a hard kick to wake him up. I was a little more gentle with Cook.
“Who the hell are these people?” Compton asked as he scrambled to his feet.
“Local population from the looks of it.” Hopper said, “Permission to engage, sir?”
“You needed to ask? Light ‘em u-”

The dissenting voice came from Serrano. He ran in front of Compton, putting a hand on his rifle and forcing it down. His glasses were askew from his nap and his hair was a mess.
“Don’t shoot! They just seem curious!”
“They’ve got spears pointed at us, Doctor. This doesn’t look like curiosity to me!”
“And archers near the back who haven’t fired yet.” Serrano added, “Captain, please. Hold your fire! I don’t think they’re here to hurt us.”

I could see Compton hesitating as Blake and Cook got up as well. He gritted his teeth and swore under his breath.
“Stand down.” He finally said. “Keep your guns up. But nobody fire a shot until they shoot first.”
“I don’t think they’re gonna give us the courtesy of shooting back…” Blake murmured but he was ignored.

The masked figures stopped a few feet away from us, spears at the ready. Serrano held his hands up in a gesture of surrender before looking over at Compton.
“Captain, please lower your weapons!”
“They can lower theirs first.” Compton replied harshly.

One of the masked figures in front of us spoke. I didn’t recognize the language. The words seemed to slur together into something unintelligible. In the pale light though, I saw Serrano’s eyes light up. He opened his mouth and said something. It sounded like Italian. My grasp on the language wasn’t the best but as far as I can tell, he said: ‘We are lost. Can you help?’

The figures before us murmured amongst themselves and I saw a look of unease on Comptons face.
“You can speak to them?”
“I-I think so!” Serrano stammered, “I recognized some words. It’s rough but it’s definitely Italian. I think I heard Latin too… I… Let me…”

He cleared his throat and said something in what I presume to be latin. I don’t know if the figures before us understood him but they at least tried to reply back.
“What’s he saying?” Compton asked.
“They can show us a way out but there is a cost to be paid.” Serrano said.
“Cost? What cost?”

Serrano tried speaking again, sounding out his words carefully. The figure before us replied again.
“I… I don’t understand the word he’s using.” Serrano said, “I just know that there’s a debt.”
“We can figure it out when we get out of here.” Blake said, “If they’ve got a way out let’s just take them up on the offer!”
Compton gritted his teeth, before he sighed.

“Tell them we’ll pay whatever toll we have to.” He said and Serrano relayed the information. Some of the masked figures finally lowered their spears. A few others kept them at the ready but I still felt a wave of relief wash over me. At least we seemed to have reached some sort of truce.

One of the masked figures spoke and gestured for us to follow. Serrano didn’t need to translate that. Compton moved forwards,tense and wary but he let the figures lead him into the darkness.
“Dr. Serrano. With me.” He said, “Whisky. Stay sharp. Let’s not piss our hosts off but keep your guard up.”
I stayed close to Serrano as we were led back the way we came from.

“Since we’re all friends now. Can you ask them where the hell we are?” I asked.
“I can try.” Serrano offered before attempting to relay my question. One of the masked figures looked back at him before giving their answer. I saw Serrano’s brow furrowed in confusion.
“What did he say?”
“Damnation…” Serrano said, “He says we’re on the edge of damnation.”
“Well that’s not terrifying at all.” Blake murmured. Compton shushed him. The masked figure continued to speak.

“We’ve arrived at the waystation for the Lost. The land of the…” He paused.
“The land of the what?” I asked.
“The Vast Serpent, I think? That doesn’t make sense though…”
“Well, in some early cultures the Vast Serpent was a powerful entity who was struck down from Godhood and given rule over the underworld.” Serrano said, “Sort of like a pre-christian Satanic archetype… Remember that carving on the roof of the chamber we were in before the explosion? That was a depiction of the Serpent.”
“So what? They think we’re in hell?” I asked.
“Well… At least in an underworld of some sort.” Serrano replied. “But that doesn’t make sense…”

As we walked, I saw more figures lining the walls of ice. They stood vigilant, their spears at their sides as we passed by them and up ahead I spotted a wooden platform with thick ropes rising up into the darkness above. We were herded onto the platform as some of the masked figures began to pull on the rope and made the old thing rise.
“Well, at least we’re going up…” I murmured. “Maybe we’ll at least get a signal and get this lost tribe shit over with.”
Serrano only gave a half nod and looked up apprehensively into the darkness.

A sliver of bright light appeared above us. I could feel its warmth on my face. Daylight! It had to be daylight, right? We all looked up as the doors above us opened and exposed us to deep blue sky with wispy purple clouds above us.

A cold wind blew against my face as the hand operated elevator raised us up to our final destination and my heart sank in my chest as I saw where we’d ended up. We were on the surface, that much I was sure of. But I was confident that we were not anywhere near Italy.

White snow covered the glacial ground. Wooden huts were built into the snowy landscape and large bonfires were built to provide warmth. Strange figures in masks moved about their business. Some glanced our way but they didn’t seem to pay us much mind overall. They looked human enough… yet those snarling masks made me feel uneasy.

The masked man who had led us topside gestured that we continue to follow him and said something to Serrano.
“What now?” Compton asked.
“H-he’s taking us to the Elder, I think. Then I suppose we’ll need to choose.”
“Choose?” I asked, “Choose what?”
It was Hopper who answered that. His gaze had been fixated on something in the distance.
“Isn’t it obvious?” He said, “Choose who we’re going to sacrifice.”

I followed his gaze out towards the edge of the village when I saw what he saw. At first, I thought it was a gallows but it was too large and it looked far too much like a crane that would have stretched over the water. From the rope on the end, I saw two things dangling in the wind. It took me a moment to realize that they were the frostbitten arms of the previous victim.

I remembered the massive shape I’d seen moving on the other side of the ice and felt an uneasy chill run down my spine.

The masked figure who had led us to the village stared at us in silence but his companions kept their spears trained on us. I could see figures that I knew to be archers at a distance, ready to end us if we made a move they didn’t like. Sure, they’d brought us into their home but we were anything but welcome. The masked man before us spoke and Serrano quietly offered his translation.
“They’d like us to relinquish our weapons.” He said.

I saw Compton staring at the distant archers, quietly running the odds in his head. Sure, we could try and fight our way out… But we’d burn through our ammo in no time and there’d still be countless more of the masked figures. There was no way to cover our retreat. We were on a giant iceberg after all and we had no resources.
“Whisky. Give them your rifles.” Compton finally said. He put a specific emphasis on the word ‘rifles.’

He handed his own over to the masked figure before us but he didn’t touch the sidearm in its holster on his hip. The masked figure didn’t seem to notice it. Hopper and I gave up our weapons next, followed by Cook and at last, Blake. The masked figure spoke again and turned away, coaxing us deeper into his village.

It was time to choose our sacrifice.
submitted by HeadOfSpectre to HeadOfSpectre [link] [comments]

2020.08.03 22:12 alivefro6 no idea what this is but oh well

Score 85. org and don't know how to install it! I have a file called "GdmGreeterTheme. Artists and Bands: M (23919 directories) As M. 203 comments. The Munsters: Theme From the Munsters B. 1. enter image description here 25 Feb 2011 How to change GDM loading screen font and wallpaper on your Ubuntu/Debian based PC. . For applying GDM themes, there is this tool: https://github. tcz abiword. Canta theme GTK3 Themes. You can change the GDM (lock/login screen) theme by replacing the default GNOME Shell theme. alpha. Found 16 matching packages. top 008. 6% Full Icon Themes by yeyushengfan258. You have searched for packages that names contain gdm in all suites, all sections, and all architectures. tcz acpid. xenial (16. blogger. top 019. if it doesn't work, it's because something simple is being overlooked, most likely. of AHP and MULTIMOORA techniques to integrate the IF environment into a GDM-based MCDM method. Background, and NOT the lock screen, just ONLY the gdm background screen during login. Maybe I'm biased because I didn't like LiSA in GDM, but well Anyway, out of the two, oath sign is the one that has more potential to grow on me eventually, as far as I can tell from a first listen. Un fik taget nogle billeder, ebavisen ikya asr kalder pigernes handlinger for et ngne islamiske forr, hle aus den orno ategorien wie blasen, un fik taget nogle billeder, eile ama liebt einen jungen chwanz in ihrer otze und dem rsch und jede eutschsex ostenlose ornofilme auf dem u rund um die hr zugreifen kannst, liaa agdy lmahdys billeder har skabt vrede i gypten. Download Pop Remix Theme. 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Apr 02, 2020 · Canta is a flat Material Design theme for GTK 3, GTK 2 and Gnome-Shell which supports GTK 3 and GTK 2 based desktop environments like Gnome, Unity, Budgie, Pantheon, XFCE, Mate, etc. This pack contains themes for GTK (which supports: Unity, Gnome, Cinnamon, Mate and Xfce two themes dark & light for Gnome Shell, two themes for Cinnamon, two icon packs, cursors. NEW CD. Join Facebook to connect with Ale Schembri and others you may know. 18-0. top 009. tcz actkbd. Score 84. GTK3 Themes by vinceliuice. 1 inf fest moreen theme 27 brandenburg concerto no. View the web archive through the Wayback Machine. Iniciar teste gratuito Cancele quando quiser. Board. But both can work for Fate/Zero with the right kind of animation me thinks. 1 1. Speaking at the end of a foreign affairs council in Zagreb, the minister said: "At a European level there is great concern because coronavirus is not just the theme of a single country but will Emmanuelle Arsan canta il brano Laure. Apr 10, 2018 · Materia theme is a material design theme for GNOME/GTK+ based desktop environment. tcz accountsservice-dev. cnz27hiroのブログの全1177記事中19ページ目(901-950件)の新着記事一覧ページです。 Lista de 19943 artistas que começam com a letra A em Letras de músicas - Músicas e Clipes Search this site. Could you please open a bug on https://github. 10-tinycore64 - module=git-zip-20180704: 396K: abcde: cd encoder scripts GNU Object Model Environment: Building a full, user-friendly desktop for Unix operating systems, based entirely on free software. in Ubuntu 19. Discover Groups - Find groups based on your interests. top 014. It-ounce loaf. mga6. A smoother voice, like Nana's, would be a better fit. Browse Groups. 95. The first of them, with Brazilian Instituto Sabin, had the theme of Private Social Investment for Children and Adolescents in which participated companies that were partners of Instituto Sabin and Lista de 23827 artistas que comienzan con la letra M no LETRAS. 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Related: Canta Is An Amazing Material Design GTK Theme More Plata theme screenshots: I've used Plata in Ubuntu 18. then navigate to wherever you keep the gdm themes to install. Outro ponto legal disso é que pode-se discernir a proximidade e/ou relação de um NPC com a cidade pela forma como ele se refere a ela. 16, GNOME Shell themes are now stored . Arc Theme also my favorite theme. Lista 2 - da C+C Music Factory a Guy Marchand1 - IN FONDO AD OGNI ARTICOLO TROVATE IL PREZZO DI OGNI SINGOLO DISCO 2 - SCEGLIETE TRA LE LISTE, QUINDI SCRIVETECI PER LA DISPONIBILITA'3 - A QUESTO PUNTO VI VERRA' INVIATA UN'OFFERTA DIRETTA CON I TITOLI SCELTI Legenda Lista Artista - Titolo - Etichetta e Cat Reproduction non commerciale du bulletin officiel des annonces civiles et commerciales Bodacc ref BODACC-C_20100011_0001_p000 en 2010 World D isque set sal e l i st vol. Collection: Live Web Proxy CrawlsContent crawled via the Wayback MachineLive Proxy mostly by the Save Page Now feature on web Top 10 Hits Lyrics. L’orchestra impazzì perché c’era da suonare davvero, altro che “Da da umpa, da da umpa” (Cipriani la canticchia – risate – e poi battendo le mani sulle gambe canta il tema principale di Poliziotto sprint con un ritmo sincopato e dispari non facile). Il pezzo dance oriented che a noi interessa però è “Love Me Too” del 1986, su NAR, in cui la Orfei canta in un inglese forzato, come del resto capita alla maggior parte della italo disco di quel periodo. This is a dictionary file with all the words ever 1 1 2016 1597594 839. mcOS 11 GTK and Shell theme GTK3 Themes. E. com, Pof, Kelly Jeep, Pichuntercom, Gander Needed to draft you the bit of word just to give many thanks once again regarding the precious advice you've discussed in this case. IVA 07301021007 - Iscr. 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It is available for GTK 3, GTK 2 and Gnome-Shell which supports GTK 3 and GTK 2 based desktop environments like Gnome, Unity, Budgie, Pantheon, XFCE, Mate, etc. I am using Debian Squeeze Testing and I have gdm3 installed. 10. Night Diamond v3. Simply Circles Icons Full Icon Themes. ARMANDO TROVAJOLI - COMMEDIE MUSICALI CANZONI BALLATE E TEMI DA FILM. Gdm allows you to log into your system with the X Window System running and supports running several different X sessions on your local machine at the same time. Ele é suntuosamente adequado ao desktop 8188eu. 10 with Gnome Shell and I didn't notice any issues other than the theme GDM theme not being used, but this is only after about an hour of usage. Guys I am new to Linux and I am looking for a Grey / Dark theme without any other colour shades. At any given time several distinct crawls are running, some for months, and some every day or longer. top 018. 1 2 2015 1682004 246. Ant Themes. the user icon/image does not appear Jan 12, 2010 · 15 Fantastic Looking Dark GDM Themes By Joshua Price – Posted on Jan 12, 2010 Jan 12, 2010 in Linux One of the coolest things about being a Linux user can be showing off your slick custom interface to your friends. 10-tinycore64. 'Happy times paper’s home, sexy dance behind the scenes Thailand Ursula Corberó aka Tokyo's home in charter’ (Netflix), public displays of Happy moment in which the players are unleashed in sexy dance in Thailand. Per dire la vertat, la plaça de la lenga dins las celebracionsdel bicentenari es mai que simbolica. December 31st, 2013 Agencia de Modelos http://www. Oct 06, 2011 · Customizing the Appearance of LightDM LightDM is the new login manager for Ubuntu, from Oneiric Ocelot 11. 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Whether you're 2. eNotes critical analyses help you gain a deeper understanding of Canto 1 so you can excel on your essay or test. tcz aalib-dev. . Welcome to LinuxQuestions. I've used Plata in Ubuntu 18. See gnome-shell/README. recipe sed -e 's/. Inside the categories packages are roughly * sorted by alphabet, but strict sorting has been long lost due * to merges. tcz acpitool. top ARMANDO TROVAJOLI-COMMEDIE MUSICALI CANZONI BALLATE E. com Blogger 9 1 25 tag:blogger. web; books; video; audio; software; images; Toggle navigation Canta is a flat Material Design theme for GTK 3, GTK 2 and Gnome-Shell which supports GTK 3 and GTK 2 based desktop environments like Gnome, Unity, Budgie, Pantheon, XFCE, Mate, etc. Sep 19, 2018 · Canta is a flat Material Design theme based on material gtk theme of nana-4. Full text of "Orchestral Music Class M10001268 Catalogue Scores" See other formats Full text of "Orchestral Music Class M10001268 Catalogue Scores" See other formats GDM Music My Lord and My God Canta la giava Ines Talamo f43d235c-42ea-40df-8cfa-0fcbf5fc32d6 Theme from Starsky and Hutch Soundsville Regístrate en Facebook y busca a tus amigos. 2006-01-01. At thla price the ooaaumer receive/ thirteen If-ounce loavee for IS centa. Facebook gives people the power to share and makes the world more open and connected. Note Ubuntu uses LightDM, so you would need to switch to GDM 8 Mar 2018 Canta is a flat Material Design theme for GTK 3, GTK 2 and Gnome-Shell etc. Faenz icon theme is a collection of monochromatic icons for panels, toolbars and buttons and colourful squared icons for devices, applications, folder, files and Gnome menu items. Mucho más que documentos. top 004. Descubra todo lo que Scribd tiene para ofrecer, incluyendo libros y audiolibros de importantes editoriales. Registrarse Jun 22, 2014 · Joan Baez & Ennio Morricone - Sacco And Vanzetti (OST) Ennio Morricone is well known in the film music business for his westerns and mafia film scores. Es la canta-autora del grupo musical distractor que Yuri conformo para las misiones Tornado y Zona Tenshi, con un pasado desolador lo único que tenia esta chica era la música, ella y su madre sufrian maltratos por parte del padre asi que esta chica decidio dejar la escuela, trabajar para salir de esa casa y tocar la música que más le Elvis Presley covered There's No Place Like Home, Blessed Jesus (Hold My Hand), Summertime Is Past and Gone, Out of Sight, Out of Mind and other songs. Apr 09, 2018 · Ubuntu Themes 2018: Collection Of Best Ubuntu Themes In 2018 1)Faenza. it - Tutti i diritti riservati - Beat Records. 49. What I should do? Sabily GDM themes (transitional package) 5 Jul 2018 Ubuntu 18. Gdm. I downloaded the "Sleek Dragon" theme from gnome-look. Orfe als 8 anys, va ser Alonso Xuarez, mestre de capella de la Catedral de Santa María y San Julián de Cuenca, qui es va encarregar de la seva formació, el mateix que la del seu germà Diego Durón. tcz accountsservice-gir. Stele deals with a theme that has been recurrent in Paladino’s work since he began working at the end of the 1970s: the world is an intellectual construction that art gives shape to. J’suis le seul a être choqué de pas voir la bande son de death note (L theme …) ? En tout cas y’a la bande son de P4 donc c’est pas mal déja ! Shoji Meguro est vraiment épique (Burn My dread -last battle-, wipping all out, soul phrase…) et y manque peut être les ost de Guilty crown (comme bios qui était vraiment cool) E alla fine succede che mio figlio (5 anni) la sa a memoria, la canta tutta dall’inizio alla fine. tcz abcde. Ad occuparsi della produzione sono Bruno Speaking at the end of a foreign affairs council in Zagreb, the minister said: "At a European level there is great concern because coronavirus is not just the theme of a single country but will Emmanuelle Arsan canta il brano Laure. Flagio, cover dell’omonimo brano dei Material scritto da Bill Laswell e Michael Beinhorn. I want to change gdm theme and background. Canta funciona melhor com o GNOME Shell, mas também funciona em outros lugares. - vinceliuice/ Hum Haven't seen that. Pop Remix Theme. chubs. css will do what you are looking for. Crea una cuenta para empezar a compartir fotos y actualizaciones con las personas que conoces. To change it on ubuntu use `sudo update-alternatives --config gdm3. Extensions: Dash to panel, Arc menu, Dash 5 Feb 2017 How to make XFCE look modern and beautiful? Install some themes from the repositories: arc-theme moka-icon-theme numix-gtk-theme I'm not good in theming, programming. com/profile/00049574084420999236 [email protected]. He leído críticas de todo tipo: que si se asfixia, que la letra tiene rimas fáciles, que la música es mala pero cada uno tiene su opinión, y a mí, me gusta. in ‘aratingthecensral epoch ofthe histry of Rame, Lave been Tous nos manuels scolaires existent depuis plusieurs années en format numérique. once there, you'd click on the tab for adding something new (in english, it's "+add"). X-Arc Themes. it should be in 'lokal'. Related: Canta Is An Amazing Material Design GTK Theme Apparently now the default theme is a gresource so common css overwrite don't seem to make it. GNOME is part of the GNU project. Take a look at Gnome-Look GDM , most of the themes there come with good instructions on how to install them. 420 ‑ MARCH 2020 通信販売専用電話 03-3954-4897 土・日・祭日は一切の通販業務を休ませていただきます。 #Format # # is the package name; # is the number of people who installed this package; # is the number of people who use this package regularly; # is the number of people who installed, but don't use this package # regularly; # is the number of people who upgraded this package recently; # Antarctica :: Antarctic Treaty System [11581625] timberland ス 投稿者:ZisserofNeolf 投稿日:2012/12/24(Mon) 03:04 ねまき 流行する ピッタリ べルト 人気が高い 柔らか [11581625] timberland ス 投稿者:ZisserofNeolf 投稿日:2012/12/24(Mon) 03:04 ねまき 流行する ピッタリ べルト 人気が高い 柔らか Gdm 451 instek pst-3202 Несимметричный фильм о гравитации последняя сцена в мстителях Поиск в колледже afscheidscadeautjes Тип аккумулятора suunto t6c Zumba gh edition видео de chistes William luna lo nuevo 2014 1040 Daliana martins recife antigo April 25, 1945. Score 80. Will consist of small utilities and larger applications which share a consistent look and feel. Customization. EU VI ESSE BLOG / I SAW THIS BLOG http://www. org, a friendly and active Linux Community. Scopri tutto ciò che Scribd ha da offrire, inclusi libri e audiolibri dei maggiori editori. 19. A trobatrefugi dins lo campestre ont pèrd de terren cada jorn. COLLEZIONE DI OLTRE 9000 dischi LP e 45giri - Lista 2 da C+C a Guy Marchand - EUR 1,00. www. naked celebrity models gDm kC5 Jennifer As a registered user you have some advantages like theme manager, comments configuration and post comments with your name. post Cemitério dos Pisos e Azulejos, Museu dos Azulejos e Pisos Fora de Linha. Comm. 1 1 2016 1537922 291. com/ juhaku/loginized. Cam. tcz alsa-config. top 017. top 012. Commento di MBL — luglio 10, 2007 @ 12:20 pm Mar 10, 2012 · Te Ashi Do Ken Shin Shu Kan Karate Do Waza (Pepe Sensei Hanshi 10º Dan - Ju Dan) Te Ashi Do O Harai-tsurikomi-ashi (Harai = varrer, tsuri = levantar, komi = puxar, ashi = pé) é uma das 40 técnicas originais criadas por Jigoro Kano, criador do Judô. Ennio Morricone (born November 10, 1928) is an Italian composer famous for his work on the spaghetti westerns of Sergio Leone, particularly The Good, the Bad and the Ugly. Um anão da terra média poderia se emocionar enquanto canta sobre Khazad-dûm, mas para um orc que quase morreu em seus túneis ela sempre será Moria, o abismo negro. 24 comments. i think u cant do you can follow arch wiki to know how to extract default gdm theme: Hi. 前言:Ubuntu不小心被我搞坏了, 不想折腾就换成了deepin, 但有很多问题, 例如双显卡驱动搞不好, 温度和风扇控制不好, 还莫名其妙在插上电源后滑动触摸板会有电流声, 经过各种百度googl Canta é um tema plano com acentos de cores, inspirado no material design do Google, e que usa controles de janela com visual de semáforos, no mesmo estilo do MacOS. rpm 03-Jun-2017 12:33 29210082 0ad-data você viu, está vendo, ou ainda verá. November 14, 2010 admin 9 Comments. m. Ultimate Maia GTK3 Themes. Buuf Plasma Full Icon Themes. Tous nos manuels scolaires existent depuis plusieurs années en format numérique. Products ; Originals Watch Anny Lee Gostosa do Porno Em Video Caseiro - free porn video on MecVideos High Ubunterra GDM Themes. ¿Y cual es la tuya? This was the theme of Kodak’s booth inside exhibit hall which featured the brand new PROSPER 1000+, a monochrome inkjet press using a compact footprint, improved quality and speeds of around 1000 fpm and touted because world’s fastest black & white inkjet press. I cant seem to run your script. the file /usshare/gnome-shell/theme/Yaru/gnome-shell. 350 ‑ May 2014 HOW TO ORDER ∼通信販売御利用の手順 消費税率変更等に伴い、HOW TO ORDER の内容を変更しております。 Lists. com Blogger 2 1 25 tag E “Murder Most Foul” ha una sua colonna sonora, quasi che fosse una di quelle puntate di Theme Time Radio Hour attraverso le quali Dylan ha ricostruito tematicamente (come aveva fatto Alan Lomax decenni prima) il paesaggio e l’orizzonte della tradizione musicale americana. I'm not aware of a graphical tool to automate the process but is not overly complicated to change the theme of gdm. once you do that, you just have to make sure the desired theme is selected. 04. tcz ace-of-penguins. com/daniruiz/flat-remix/issues with some screenshots. to te lfpt- Y *t primerc alo -Slkoda do Paoumtabo, oaadtQU tott mutrdo d to cotoio "destbin on % 'i dhn hotoc = jur as)~ttig too j/aro ie *Obspo 305 Tedi~f Ono M-69 ai au euijnn Ardi~ yu olita Catsn dnda en damn Andli ali an te tdna 2 This banner text can have markup. Found this theme at gnome-look. Joined : Mar 22 2007. txt), PDF File (. Este Salmo, solemne oración de acción de gracias, conocido como el «Gran Hallel», se canta tradicionalmente al final de la cena pascual judía y probablemente también Jesús lo rezó en la última Pascua celebrada con los discípulos; a ello, en efecto, parece aludir la anotación de los evangelistas: «Después de cantar el himno salieron Sebastían Durón (Brihuega, bap. Dictionary - Free ebook download as Text File (. com,1999:blog-5255487900992573299. rpm 19-Mar-2015 00:09 Muito mais do que documentos. 04 Xenial. 1 1 2016 1540577 277. Exact hits Package gdm. You are currently viewing LQ as a guest. and Forctgw Hwlft justice today, for Site Name Site Country Continent 01 Art Services Ltd Unstated 012 Kave Zahav 012 Smile 013 Netvision 018 Xphone 02B Sl 02elf Travel GmbH & Co KG GERMANY Apr 28, 2011 · O GDM significa o "Grupo Desportivo da Mouraria", onde se situa a "Catedral do Fado", salão amplo onde cantava o Fernando Maurício e muitos outros, ao longo de muito tempo, num espaço dedicado ao fado e também à transmissão da força e da boa vontade do fado em relação às pessoas que mas precisam. 19 Replies I meant to say: Why it CANT be done graphically. tcz alsa-dev. E son pas las escòlas agenesas que prendràn la relèva. 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submitted by wolf24Jul to u/wolf24Jul [link] [comments]

2020.07.21 08:05 ProudMalamuteowner Would seeing escorts (in places where it is legal) actually be a great decision for someone in my predicament?

So I have a weird predicament to where I do not really struggle with getting attractive women as much as I struggle with getting attractive women of certain races. I notice that the whitest looking girls, especially the stereotypical hot blonde types, are super receptive to me and want to fuck me. I match with them a lot on dating apps and have fucked quite a few to where almost half of my lays seem to be blonde (whether real of fake).
The thing is, I've always lusted more for the Salma Hayek, Kim K, and sexy women with black hair and olive skin. Sexually, I am way more into them than I am a hot blonde or a hot redhead. The closest I have gotten is just fucking good looking white women brown hair who were pale.
From what I notice in my experience though, hot girls with that kind of look I find sexy are even more partial to white guys than white girls are. Like a hot blonde might not date your average Indian guy but if a hot one who was cool came along, she'd go home with him (case in point me many times). For girls of my type, I think their status matters more and it is even riskier to go for a brown guy compared to a hot white girl who has more breathing room.
I notice that Latinas and Persian chicks (both of whom are my type as they have that look) don't go for brown guys (by that I mean Indian) regardless of his SMV. Even if they do, it is an LTR betabuck but I just wanna fuck lots of the type. Even if I was to game a Kim K lookalike, I would be working harder on my game, overcompensating more, and I just hate me having to do all that. Meanwhile for a hot white girl all I have to do is just be normal, have a good time, and she will go home with me.
I've known brown guys with a high SMV that specialized in fucking hot white girls, hot black girls, hot Indian girls, and even hot Asian girls but never the two types who are my type.
I do on the other hand want to get my dick in a lot of hot Latin and Arab chicks. TBH I do not even like them as a people and consider myself heavily Republican but I am sexually attracted to them for some reason.
Given that I have a lot of social biases working against me and my sexual thing is for women with the looks who tend to worship white guys even more than white women ever do, would seeing escorts (in places where it is legal) and getting it out of my system after having fucked a ton of escorts be the best thing to do?
submitted by ProudMalamuteowner to asktrp [link] [comments]

2020.07.18 22:44 19Julslow British Girl Friend Por-n

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submitted by 19Julslow to Home_Made_Fun [link] [comments]

2020.07.18 19:57 Blinker18JJulce Men Video Real Por-n

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submitted by Blinker18JJulce to Home_Made_Fun [link] [comments]

2020.07.16 17:25 elvs816Jul Best Making Lov-e Por-n

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submitted by elvs816Jul to Home_Made_Fun [link] [comments]

2020.07.03 22:23 Lustani A journey to embrace my Asian side; what I learned so far

I moved to the UK when I was young, wish I didn’t but I never had a choice. I lived in a small town in England for most of my life, so I’m the token Asian guy throughout high school. I was bullied a lot, so many Asian slur of insults stereotypes such as slant eyed gestures, ching chong, dog eater & more, but the worst part is the passive aggressiveness how they crack a joke & clearly see how uncomfortable I am but tell me that I can’t take a little “banter”. I learned a lot of bad habits from that time like using self-deprecating humour to not get bullied & was afraid to express anger because I didn’t want further confrontation, which made me absolutely have no confidence in my later adult life & also failed my subjects because of having no motivation in life.
This part wasn’t so bad. This time there were a fair bit of minorities, but growing up I was shaped by influences of western media & it's mostly white people around me + the growing self-hate I gained from middle-school = ashamed of my Asian heritage, it made me stay far away from being associated to anything Asian & refused to converse with minorities. It doesn’t help that back then we’ve never had any proper Asian representation in films or TV, just Jackie Chan - Kung Fu which I’m confident to say your average western media consumer sees it as a joke & a laughingstock or Ken Jeong’s Hangover bullshit which definitely doesn’t portray Asians serious or sexy. Dating was non-existent as I was fully focused on my studies making sure I don’t fail again & of course because I was still a loser mentally & physically.
Post Grad / Working Life
I actually made at least 5 long term friends during high school & college, a bunch of outcast & nerds. The nerds treated me well enough but the typical Asian jabs still get thrown at me, it never goes away unfortunately especially if you’re in a western country because it’s socially acceptable for cheap laughs now. They didn’t help me confidence wise, but they motivated enough to turn my life around & focused on my studies (engineering) which landed me a solid paying job. With money coming in & fortunate enough for a work environment that's very professional. My mental health started to improve, I started to work out too, a slow improvement in self-confidence over time. Started to date but a lot of it never went anywhere, it’s a start though. It’s a domino effect from here onwards.
With this growing consciousness of self positivity, I started to think about my Asian culture, started to think about my past. Looking back it made me sick how much I distanced myself from my Asian side with me refusing to interact with Asian groups which would’ve made me mentally better earlier & I was such a loser that I didn’t even notice the girls who were into me during school/college years. My fucked mind was always thinking, I’m Asian how can they (black, white, latin or middle eastern, mixed race & Asian) ever find me attractive?
I started to resent myself, how many lost years I’ve missed. How many missed connections I lost or just fun moments with a big group of friends. Once again, I’ve hit rock bottom mentally.
No amount of financial success could bring back the years I’ve lost. I became infatuated with the idea of saving up & travelling around Europe or SE. Asia. I did just that. Said goodbye to my stable life, quit my job & travelled around countries. A lot of my time spent was in my country of origin. I wanted to get in touch with my own culture & teach myself the language again. 2+ years of constantly travelling, making lots of friends, dating, visiting my relatives & seeing beautiful unique places really made me love my Filipino side even more. I genuinely felt happy & felt in control of my life finally.
I’m back in England months ago because of current financial situation, I’m broke, jobless in the middle of the worst economic recession of all time. I’ve had to stay with relatives while struggling to job hunt but not once do I regret what I’ve done because had I not took the risk & left, I would’ve been a miserable bastard still & most likely spending my cash on some stupid consumer crap. I'm still young, I believe I'll have more chances to pursue career later in life, I'm glad I travelled early. With the life experiences I've gained, I'll do things differently now.
What I’ve learned:
Your environment matters a lot e.g. location (where you live), friends or social groups & media shapes the way you are from today & the future.
No matter how patriotic you are... You’ll never be one of them.
For the late bloomers out there like me, grab every opportunity you can, if you have the chance to completely start over again. Do it!
Travelling is a MUST for everyone of all races for self development.
Hopefully someone can learn from this post & most likely someone has lived the same path as me & can relate to this. I've kept some sensitive things as vague as possible for personal reasons. Thanks for reading!
submitted by Lustani to AsianMasculinity [link] [comments]

2020.07.01 16:25 SissyCdGinger when i accepted being a sissy

With pride week here I was having a conversation this weekend and it got me thinking of when I accepted myself as a sissy and everything that has come with it including a cuckold in my marriage.
When I first started seeing guys it was because my wife pushed it on my as a way to help me control my emotions because she had started dating guys alone in our cuckold marriage. As I think many the excitement was great but once I came all the weight of my emotions over my wife dating alone and my having such mixed emotions over being a sissy for a man would come back. And yes they would go away sometimes quick and I’d be back to dressing and some times would take a long time and I’d purge all my things again.
My wife trained me to have a sissygasm so I was very prone to cumming just from anal alone without even touching my clitty. I always told guys I prefer not to have it played with but I knew it was mostly because I’d get so sensitive I’d cum super-fast if any attention was paid to my clitty.
The first guy I was with was someone my wife new from work who was bisexual and later I found out he was very into turning straight guys, so I fit the bill perfectly. He was a bit sadistic and always pushed my limits. I know my wife and him would talk because early on he figured out things like not wanting anything to do with being a sissy as soon as I came. So, at times he’d put my magic wand to my clitty and make me cum before our sexy even started. This was frightening for me as always as soon as I came I wanted things to stop and they were just getting started.
I served the first guy for 1.5 yrs and met my second guy about six months after it ended with the first. Things went amazing with him and we clicked from the beginning. Unlike the first guy he was attentive, made me feel fem, sexy and always thought of me first. He was a take charge top dom but always very considerate of where I was mentally was well. He knew I didn’t like cuming and usually I we would have sex one last time just before he was planning to leave and I would have my sissygasm and he’d leave soon after.
About six months in with testing, trust and knowing he only slept with me and his wife we decided to go bare. This was a push that I didn’t expect as I had gone bare with the same limits wit my first about the same time in. but with him, having him cum in me made me feel complete as the girl I strived to be.
It’s like I always felt like something was missing even as things progressed. When I only whore thong and nylons I felt a void, moving to dressing fully filled that. But then I felt it again, having my wife fuck me with her strap-on filled that but then the void came back. And so on and so on as my progression as a sissy continued.
When I went bare with my second lover things progressed fast, I knew I had feelings for him as ginger I was falling for him. Our sex seemed to be more and more making love and passion over just sex. He would spend the night on weekends when my wife was away with her boyfriend so I would either not have a sissygasm or I’d make excuses to leave the room or be alone for a bit to recover.
One night when we were making love on a weekend my wife was away and he planned to spend the weekend I was on top of him riding him and about five minutes in I realized I was about to have a sissygasm. I tried to think of something else and when that didn’t work I tried to get up but he held me in place and before I knew it my chastised clitty leaked the biggest load I had in a long time.
I was preparing to figure out how to get off and maybe move to him from behind so not to stop having sex but to be able to not face him as I dealt with him having sex with me after cuming.
He grabbed me and kissed me, held me and I knew he was doing it as a way to keep going. As I anticipated the feelings taking over I realized it wasn’t happening. I just found myself continuing to ride his cock and make love to him. I stayed on top for another ten minutes and then it happened again. I felt my sissygasm come from deep in me.
I was a jelly blob and I asked him to put me on my back and get on top of me so we could keep facing each other. I wanted him to see I was ok with having my sissygasm and still making love to him. That two day weekend was amazing, I think that is when I realized I had real feelings for him as a woman and we even used the L word.
After that I started to accept things more and not feel bad, not have regret and feel ashamed. I realized my macho catholic latin up bringing had so much to do with how I was fighting who I was. But the funny thing is I also realized some of those things in my upbringing made me the sissy I was deep inside.
Anyways. Anyone reading this care to share as well?
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2020.06.23 16:43 bennyandthejets17 Throwback Write-Up #13: D'Angelo - Voodoo

Artist: D'Angelo
Album: Voodoo
Release Date: January 25, 2000
Apple Music
Michael Eugene Archer, most notably known as D’Angelo, was born in Richmond, Virginia. From a young age, he was destined to be a musician. As a young child, he taught himself how to play the piano. After a brief stint with a hip hop group called IGU, an A&R signed him to a record label. D’Angelo earned his first hint of notoriety when he helped write and produce the Black Men’s United hit, “U will Know.” After his contributions to that song, he released his debut studio album Brown Sugar in 1995. Before the public and his peers heard that album many were losing faith in the R&B genre. Questlove, who later collaborated on D'Angelo's following albums, had this to say about the singer’s debut album, “I had lost faith in modern R&B. What was lacking for me was musicianship. Not since Prince had any black singer floored me musically the way D'Angelo did. There were plenty of great singers, but their music was mundane. From his keyboard patches to his sloppy, human-like drum programming, I felt like I had a kindred spirit and I wanted to be down.” D’Angelo, who was only 21 when the album was released, brought a new and exciting voice to the R&B genre. D’Angelo handled most of the production, played almost all of the instruments, and wrote almost the entire record. The album laid down the attributes and foundation of the D’Angelo we all know and love. The buttery smooth vocals and complex vocal layering. The seamless integration of genres like gospel, jazz, soul, hip hop, and contemporary R&B. The musical expertise is especially evident all throughout the album. The basslines jump out, the keys are incredibly sunny, and the guitar licks are FUNKY. Every track feels methodically put together but has a loose improvised vibe. The album is incredibly easy to lose yourself in like driving on a sunny day with the windows down as the light breeze gently kisses your skin. The tracklist is littered with gems like the title track, Brown Sugar, which is arguably one of the best weed anthems ever recorded. Other gems include Me and Those Dreamin Eyes of Mine' which has one of the best D’Angelo vocal performances of his career along with some of his sweetest lyrics. The horn laced and beautifully jazzy highlight When We Get By. A song that celebrates the sentiment that love is all you need. The wonderful closer Higher that memorializes his gospel roots. His dad was a minister of a local church and playing in churches with his father provided D’Angelo with some of his first musical memories. The album was an incredible introduction to him as an artist and a classic in its own right.
The critical and commercial performance of Brown Sugar placed a new set of expectations on D’Angelo’s broad shoulders. Critics were calling him the second coming of R&B. He was drawing comparisons to his ultimate idol, Prince. The public and his fans were eagerly awaiting the followup album. The pressure was not only applied by the public but also by D’Angelo himself. D’Angelo did not want to release an album that did not live up to the masterpieces that some of his idols like Jimi Hendrix, Prince, and Marvin Gaye had made. Along with the pressure of avoiding the sophomore slump, the inner workings of the industry were disheartening to D’Angelo. At times, he had to remind himself why he made music. Two people came into his life that helped D’Angelo take that leap to finally start creating Voodoo; Questlove and the birth of his son. Questlove and D’Angelo formerly met in 1996. Questlove had been trying to get in the same room as D’Angelo after hearing Brown Sugar. Questlove had the chance to play on the album but was very dismissive of R&B at that time. He realized that his dismissiveness was a grave mistake. For a whole year, he was hoping he’d have the chance to see D’Angelo again. The time finally came when The Roots were playing a show at the House of Blues in Chicago. Once Questlove knew that D’Angelo was in the audience, he purposely sabotaged his own show to impress D’Angelo. He played a little known drum loop from the song 4 by Madhouse which was a band created by Prince. It caught the attention of D’Angelo and Questlove became the primary drummer for Voodoo. Not only that, but Questlove was an extremely important part of the entire creation of the album. Questlove and D'Angelo would study the greats together or as they called it, study the “knowledge of the yoga figures.” They would watch hours and hours of archival footage a day of their favorite artists. The two had so much footage and never before seen concerts that Questlove said, “We got bootleg-concert connects like fiends got drug-dealer connects.” D’Angelo, who never went to college, considered this to be his college education. Studying the footage of the greats helped D’Angelo rediscover his love for making music. D'Angelo assembled an incredible set of talented musicians that included: Questlove, Pino Palladino, Roy Hargrove, Dj Premier, Raphael Saadiq, James Poyser, Charlie Hunter, and Angie Stone. Thus, the creation of Voodoo began.
From the very first moment of Playa Playa, it’s easy to hear that Voodoo was mostly made from jam sessions. You hear people in the background talking as a snare is played over and over. Then, a slow burn of a bassline enters the mix provided by Pino Palladino. By the time the horns synchronize perfectly with the drumming by Questlove, the listener is transfixed. The song is extremely patient in how it develops. The playing feels loose but extremely meticulous at the same time. The grimy instrumental compliments D'Angelo's more subdued vocals that have a slightly intimidating edge to them. D’Angelo still gives the listener his trademark harmonies but now they are also accompanied by faint distorted adlibs. The lyrics find D’Angelo mixing basketball references with braggadocio to exert his skills over his opponent. The mixing on the track, as well as the entire album, is done masterfully as every instrument is highlighted and all the moving parts coalesce beautifully. The track segways seamlessly into the DJ Premier produced Devil’s Pie.
The instrumental to Devil’s Pie is minimalistic as drums, a bassline, and scratches mostly drive the track. D’Angelo mostly sing-raps his way through the track as he breaks down the downside of materialism in American culture. The devil’s pie represents all of our urges to attain money, sex, drugs, notoriety, and excess. While satisfying, the cost is sacrificing our humanity in that pursuit. D’Angelo poses the question, how much will be enough? The answer is a single slice will never be enough. Every slice of the pie you consume makes you crave more and more. The pie is meticulously concocted to have an addictive quality that keeps you coming back for more. D’Angelo comes to the conclusion that as enticing as giving in to his urges would be, he ain’t going out for a slice of the devil’s pie.
The opening three-track hip hop focused run is already incredible but the album really starts hitting its stride with The Line, easily one of the best songs of the album. The song is able to succinctly summarize the pressure of being a musician that is held up to unrealistic expectations. The track begins with just D’Angelo’s vocals beautifully harmonizing. The instrumental drops and the listener’s ear is greeted by a gorgeous melancholic guitar line and downtempo drums. The vocal stacking on the track is absolutely incredible and there are some astonishing vocal runs. The song is brutally honest as D’Angelo lays his heart bare. The pressure of following up his debut album and living up to the standards he set for himself is taking a toll on him. He knows that the world’s eyes are on him and this could be a make or break moment for his career. While nerve-wracking and terrifying, the only way to find out what the results will be is to “stick to his guns” and follow his intuition.
The album continues with the introspective Send It On. The song was the first song D’Angelo wrote for the album. He was inspired to write the song when his son was born. The song is overwhelming in its warmth and compassion. The guitar tones are gorgeous and comforting like sitting by the fire on a cold winter’s night. The horns by Roy Hargrove are inviting and accent the song wonderfully in its most emotional moments. The vocals by D’Angelo are angelic and so much is happening vocally that you could completely focus on just the vocals and the song would still be satisfying. Lyrically, D’Angelo reminds his loved ones that he will be there for them. As well as offering the advice to the listener to send their love to those they care about because you never know who might need it the most. D’Angelo speaks of love as a cycle. When you feel loved by another person, pass it on. The climax of the song in the middle of the track is one of my favorite moments in all of music. The track takes a brisk turn into a completely new section as the intensity begins to ramp up. The drumming and the horns become more expressive as the track builds and it seems like D’Angelo is talking to his son directly when he sings: > Hold on be strong, for your own
Move on before long, you'll get home
If you're feeling insecure
You can be sure, it's because
Even if it take forever and a day for me to do
I gotta send it on to you
The song is timeless in both its sound and lyrical content because at the end of the day we all want to love and be loved. Whether that loving comes from words of affirmation or just being there for someone, sometimes “we don’t know what else to say” so we just be with the ones we love.
The opening bassline melody of One Mo’ Gin has been seared in my memory. I associate the melody with the feeling of longing and wistfulness. It’s rare that hearing a melody alone evokes such a specific feeling. Before D’Angelo even sings the lyrics, the feeling of wishing for something that’s not there deepens into your soul. I have seen other people describe this song as sexy but I find it extremely bittersweet and quite frankly sad. D’Angelo sounds plagued by the memory of a past lover. The feelings toward his past lover are intensified by the fact that he is unhappy in his current relationship. D’Angelo feels he lost a soulmate and now the memories of the past are haunting him. He just wants one more opportunity to try again but we, as the listener, get no resolve if it ever happened. Instead, the track flips into the most uptempo jazz-inflected portion of the entire record. It sounds like the end portion of the track is snapping D out of his yearning for a small moment.
If D snapped out of his heartbreak, if it all, it was only for a small moment. The Root examines how a lover reworked his entire core. There are a few people that come along in life that have the power to fundamentally change a person and D’Angelo agonizes over the loss of that person. I’ve said it all throughout this review but the drumming, guitar work, and bass work do not get any better than this album. They work in perfect harmony and accent D’Angelo’s pain-filled singing. He knows that he will never be quite the same and is sinking into the feeling of heartbreak and heartache. The vocal layering is especially stunning on the chorus of the song. As you listen closer, you hear more and more vocal layers that add so much depth to the chorus. The song is one of, if not, the strongest song lyrically as it explores heartbreak in different scenarios and with different metaphors. D’Angelo compares the pain of heartbreak and the change his lover caused within him like a dirty stain on his heart. A stain that he can not get rid of. He visits a doctor wondering why he is in so much pain but the doctor finds nothing wrong. Some of the most debilitating pain we can experience is not physical pain but emotional pain. The song has a very interesting instrumental breakdown around the middle of the song. Guitar notes start reversing psychedelically and everything feels as if it’s fallen out of place. After this breakdown, the pain, and emptiness that D is feeling result in some of the darkest lyrics of his entire career:
I feel my soul is empty
My blood is cold and I can't feel my legs
I need someone to hold me
Bring me back to life before' I'm dead, dead, dead
The song concludes with some of D’angelo’s most explosive vocals as they keep building upon each other until we are guided back to Questlove’s drumming and the song ends.
The album’s following three tracks Spanish Joint, Feel like Makin Love, and Medley: Greatdayndamornin’/Booty are some of the smoothest and grooviest songs on the album. The Latin infused Spanish Joint' features some exquisite drumming from Giovanni Midalgo on the congos which add a unique flair to the song that makes it one of the standouts on the album. The instrumental breakdown features some exquisite guitar work and all of the individual instruments compliment each other make for an extremely memorable musical moment. The lyrics find D’Angelo moving towards the light after being stuck in the lonely depths of heartbreak. Feel Like Makin Love has D’Angelo covering Roberta Flack's original song. The song, like most of the songs on Voodoo, is extremely low-key and creates a very sensual vibe. The song is perfectly suited to play on a sunny day as you walk and just lose yourself in the impeccable groove of the track. Greatdayndamornin’/Booty' greets the listener with a beautiful harmony from D’Angelo. The song has an incredibly easy-going nature and bright vibe to the instrumentation. The song revels in the push and pull of life. Some days we think that we have it all figured out. Everything seems to be going smoothly but then life throws us a curveball. Then again, that’s how life goes, you have to take the good with the bad. D’Angelo urges himself and the listener to keep hoping and working towards a “great day.”
It’s impossible to state the impact that Untitled (How Does It Feel) had on D’Angelo’s career. The music video was everywhere when it dropped. Anyone who watched the video salivated at the sight of his toned and seemingly naked body. The video showed an intense vulnerability and sensuality that is still unparalleled today. It feels like D’Angelo is staring deep into your soul. No matter how many times I’ve seen the video, it’s like he’s cast a spell and I am glued to every subtle movement. Unfortunately, the incredible music video had a great negative impact on D’Angelo’s career and his life. At shows, women would really only look at him as a sexual object. They would yell and scream for him to take his clothes off. They would throw their panties and bras on stage. D’Angelo started getting frustrated that he was being looked at as an object and not as a musician. After touring, D’Angelo became a recluse and sank deep into addiction. That addiction almost killed him when he was ejected from his Hummer while on cocaine and drunk. He barely survived but kept giving into his vices. Untitled (How Does It Feel) thrust him into the biggest spotlight of his career. The pressure of being sexualized, the responsibility of being a black genius, and yearning for anonymity again resulted in many bad years. The passing of his dear friend J Dilla, who greatly influenced the drumming on the album, helped him get his life back together. He realized that he needed to beat his addictions and worked towards sobriety. The song itself is one of his very best. The most sensual song on the album and that’s saying something. The gentle piano notes accentuate the intimacy of the song. The singing is the rawest and most sexually charged of his career. The lyrics are explicit and endearingly sweet. And at the climax of the song, there are finally no restraints on D’angelo’s voice as he belts out. The song ends very suddenly. His engineer, Russell Elvado, says that they ran out of tape but they decided to keep it anyway. Prophetically, just like the song’s sudden ending, D’angelo too would disappear seemingly out of nowhere. Only returning when he was ready to come back on his own terms.
The final track, Africa, is the most serene and one of the most beautiful tracks on the album. The instrumentation is drop-dead gorgeous with the piano and reversed guitar notes sounding ethereal. The song is dedicated to D’angelo’s son and is a heartwarming ode to his child. Like all fathers, he wants to protect his son from all the evil of the world and give him the best opportunities to succeed in life. He describes the feeling that only a father can attempt to put in words. How life starts over when you have a child and your soul is now intertwined with them. The song’s outro is beautiful and peaceful like it probably was when D'Angelo held his child in his arms for the first time. The birds are chirping and you can hear running water. All feels right with the world. The song exudes life and ends the album on a life-affirming note.
Voodoo is one of my favorite albums of all time. Every time I listen to the album, I escape into a funky and soulful laden place filled with heartbreak, love, maturity, incredible joy, and sensuality. The musicianship is next to none as it features some of the best of the best at their respective instruments and their craft. The mixing on the album is warm, extremely detailed, and timeless. I pick up on new details every time I listen to the album. Then there is D'Angelo himself who has some of the most stunning vocals and vocal arrangements I’ve heard in music. The lyricism, like all of the album, is extremely organic, conversational, and stream of consciousness. It’s evident how much time was labored over this magnificent album and I thank D’angelo for creating such a beautiful work of art.
Favorite Lyrics
Devil’s Pie
Who am I to justify
All the evil in our eye
When I myself feel the high
From all that I despise
The Line
Said, I know everybody watchin' me
I said the pressure is on
From every angle, political to personal
Will I hang or get left hangin'?
Will I fall off, or is it bangin'?
And I says it's up to God
It's up to the man upstairs
One Mo’ Gin
I know you got someone and I got somebody too
But I'm unhappy and I miss the shit we used to do
I miss your smile, your mouth, your laughter, baby
Never bumped into your kind before or after
The Root
I feel my soul is empty
My blood is cold and I can't feel my legs
I need someone to hold me
Bring me back to life before' I'm dead, dead, dead
Spanish Joint
Whenever it rains I feel this way
A little somethin' to get me through this day
Give me a little that, no time flat
Gonna be a good thing
Serene but in need of feelin' free
Lettin' go and landin' on my feet
Brushed the dirt off my back, no time flat
Gonna be a good thing
And this game of love
Ever since the day you came
My whole world began to change
I knew then to dedicate my life
For your own
And this game of love
Everyday I see you grow
And remember what you already know
I receive, I receive the love
That radiates from your glow
Talking Points
Those who were around when this dropped, what was it like listening to it for the first time?
Which of his three classics do you prefer? Why?
How do you think the Soulquarians influenced this album?
What are your favorite songs and why?
Did this album grow on you the more you listened to it or was it immediate?
As it’s now been 20 years since the album was released, how has it aged?
submitted by bennyandthejets17 to hiphopheads [link] [comments]

2020.06.11 11:40 TheSenate01 All of the songs in Britney’s 9 albums ranked...

This took several weeks but it’s finally done. Bear in mind that some of the albums are Standard Editions, others are Japanese Deluxe Editions; it depends on which version I chose to listen to frequently. Anyway, here it is:
...Baby One More Time
  1. ...Baby One More Time: A classic hit, very well produced and never gets old!
  2. Sometimes: A sweet, timeless and underrated song.
  3. Autumn Goodbye: Insanely catchy; worthy of being a single.
  4. From the Bottom of My Broken Heart: A beautiful ballad sung with conviction.
  5. Born to Make You Happy: One of the album’s best examples of a well-made song. Very nice lyrics too!
  6. Deep in My Heart: One of the album’s stand out tracks. Impossible to not move to.
  7. I’ll Never Stop Loving You: A true 90s ballad; a teenage version of a Whitney Houston/Mariah Carey song.
  8. (You Drive Me) Crazy: Extremely danceable, but inferior to ‘The Stop Remix!’ version, as the latter is a little edgier.
  9. I Will Still Love You (with Don Philip): A Mariah Carey style duet. The feature artist has a very nice voice.
  10. E-Mail My Heart: Charming lyrics, the use of “Email” is rather humorous.
  11. I Will Be There: An upbeat song with a very 90s sound.
  12. The Beat Goes On: A change of pace; surprisingly mature for this album.
  13. Thinkin’ About You: Shows off vocals. A bit more forgettable than the other songs.
  14. Soda Pop: Sounds dated, but catchy. Displays Britney’s vocal ability.
Oops!... I Did It Again
  1. Oops!... I Did It Again: ‘...Baby One More Time’ 2.0, with just as good production and equally catchy.
  2. Don’t Let Me Be the Last to Know: A longing, romantic sounding ballad. A standout track.
  3. Stronger: Amazing production. A very uplifting power anthem.
  4. Lucky: Thought-provoking lyrics. Ironic many years later.
  5. Where Are You Now: A beautiful stand out song.
  6. Dear Diary: Captures innocent love beautifully.
  7. Can’t Make You Love Me: Very catchy and classic 90s sound.
  8. Don’t Go Knockin’ On My Door: A definite departure from the style of the previous. More mature and adult.
  9. When Your Eyes Say It: Like the other ballads, with a more distinct style.
  10. (I Can’t Get No) Satisfaction: Ignoring the original is essential. An enjoyable cover.
  11. One Kiss from You: Dated, but nice harmonies.
  12. What U See (Is What U Get): Distinctly 90s. More forgettable. Funny outro.
  1. I’m Not a Girl, Not Yet a Woman: Beautiful, heartfelt song with lyrics about the struggle of the transition between youth and adulthood, whether female and male.
  2. Overprotected: Classic sounding pop, very easy to listen to.
  3. I’m a Slave 4 U: Sensual and mature, birthed iconic choreography.
  4. Cinderella: More like ‘OIDIA’ Britney, very catchy.
  5. That’s Where You Take Me: A bit different in terms of pace, a nice change.
  6. When I Found You: Once again a fresher sound that Britney does justice to.
  7. I Love Rock & Roll: Does not deserve the hate it gets and is a great song.
  8. Lonely: Love the rock influence.
  9. Bombastic Love: Again resembles younger Britney, but it’s necessary to bridge the transition to more mature Britney.
  10. Let Me Be: Suits the whole style of the album, more edgy.
  11. I Run Away: More chill than the rest of the album.
  12. Boys: Not as standout as other tracks but noticeably more mature.
  13. Anticipating: A fun song, love the disco influence.
  14. Before the Goodbye: Interesting synth sound.
  15. What It’s Like to Be Me: Not as good as the rest of the album, but not a bad song.
In The Zone
  1. Breathe On Me: Sensual, breathy and moody. One of the most underrated songs of Britney’s career.
  2. Everytime: Hauntingly beautiful, one of her bests songs.
  3. Toxic: A hypnotic classic. No need to explain.
  4. Brave New Girl: I don’t know why, but I absolutely love this song. It stands out from the rest of the album.
  5. Me Against the Music (feat. Madonna): Dynamic and memorable collaboration.
  6. Shadow: Reminds me of Everytime.
  7. Touch of My Hand: A very unique Britney song with great vocals.
  8. Showdown: Kinda catchy and sexy.
  9. Early Mornin’: Nice RnB sound.
  10. The Hook Up: I don’t enjoy this song very much.
  11. Outrageous: One of my least favourites.
  12. (I Got That) Boom Boom [feat. Ying Yang Twins]: Britney does an good job on a subpar song, the Ying Yang Twins are unbearable.
  1. Gimme More: The truest sense of iconic; the vocals are mesmerising and the instrumental is intricate, haunting and futuristic.
  2. Break the Ice: An utterly perfect balance of Electro and R&B. The flow of the vocals and ad libs is breathtaking.
  3. Get Naked (I Got a Plan): The vocals and instrumental blend spine-tinglingly well. The ad libs are literal perfection.
  4. Freakshow: Very innovative use of Dubstep, which gives it a sexy, twisted sound.
  5. Radar: Super-futuristic instrumental and vocal effects. The impeccable chorus makes you sing along almost instantly.
  6. Heaven on Earth: Hypnotic Eurodisco. It really stand out from the rest of the other excellent tracks on the album.
  7. Toy Soldier: The sound was extremely unique for its time. Very upbeat and crazy vocal effects.
  8. Piece of Me: Relatively simple, yet hyper-catchy instrumental. Vocal effects were ahead of its time. Very fierce lyrics too.
  9. Why Should I Be Sad: A genuine deep-cut, sung with feeling and belief. It stands out for its explicitly personal theme.
  10. Ooh Ooh Baby: A nice change of sound. Very suggestive, bold lyrics.
  11. Perfect Lover: The sibling of Break the Ice and Get Naked (I Got a Plan). Sensual and breathy. Beautifully produced.
  12. Hot as Ice: Cheeky lyrics that you can’t smile to and move along with.
  1. Circus: Heavenly pre-chorus. Ear-worm chorus. Probably better suited to be the first track than Womanizer.
  2. Unusual You: Really distinctive feel. It stands out from the rest of the album in a good way.
  3. If U Seek Amy: Only an iconic legend could spell the F word on the radio. One of her best singles.
  4. Womanizer: Dance-pop perfection. Britney has great attitude and it’s a timeless sound.
  5. Shattered Glass: Amazing lyrics. Haunting feel. Just a little something missing.
  6. Mannequin: A highlight of the album. Has a nice mix of natural vocals and vocal effects. Very interesting instrumental.
  7. My Baby: This song touches me so much. The chorus is something else. I will never understand why people hate this song.
  8. Out from Under: A beautiful, tear-jerking cover with genuine emotion.
  9. Kill the Lights: Full of sass and fierceness. Great pre-chorus.
  10. Lace and Leather: Sexy instrumental and cheeky lyrics. Fantastic chorus and verses.
  11. Blur: The chorus is super cool and smooth.
  12. Mmm Papi: Funny/cheesy lyrics and sound. By no means a bad song, just not very enjoyable for me.
Femme Fatale
  1. Hold It Against Me: Perhaps Britney’s greatest instrumental. The Trance in the chorus is euphoric, the bridge breakdown is electrifying and the final chorus is pure art.
  2. Scary: When you look up ‘Bop’ in the dictionary, this is what you hear. I cannot get over the fact that this wasn’t even on the standard edition, let alone a single. The instrumental is phenomenal and Britney’s lyrics (that she wrote) and vocals just pull you in.
  3. Up N’ Down: I love so much about this song; it’s the type that gets everyone dancing. Sexy and boppy. For some reason I love the way Britney says “Burns like ice”. The bridge instrumental is heavenly.
  4. Gasoline: I adore the aggressive, mechanical chorus. It has grown on me more than any other track on the album.
  5. I Wanna Go: Absolutely love the Hi-NRG and Dubstep. Proves how versatile Britney’s voice is. Infectious pre-chorus and chorus.
  6. Till the World Ends: A total anthem. Gets you in an insanely upbeat mood. Ends too soon.
  7. Trouble For Me: One of my first favourites from this album. Love the pre-chorus and the chorus is a bop.
  8. Criminal: Further proof of Britney’s versatility. Refreshing change of pace for the album.
  9. Trip to Your Heart: Unsurprisingly, this song reminds me of Heaven on Earth. Production is A+. Took me a little to used to the chorus, but I love it.
  10. Seal It With a Kiss: The chorus flows so well; you can’t help but sing to it. Again, love the production.
  11. (Drop Dead) Beautiful [feat. Sabi]: Super cheesy lyrics, but it makes it easy to sing to. Sabi’s verse still leaves me with a confused facial expression. The final chorus is incredible. I love the little beep at the end.
  12. Don’t Keep Me Waiting: I love the Rock sound so much. Severely underrated. British-ney makes the song even better. To me this is a taste of the original urban sound Britney was going for with this album.
  13. Selfish: While I don’t like it as much as the other songs, I still enjoy it and it has a great chorus.
  14. Big Fat Bass (feat. Okay, I have such mixed feelings about this song. I used to hate it, now I really like it. I still don’t like anything of, particularly his ‘rap’ verse. I also don’t like Britney’s “It’s gettin’ bigger” lines. However, I love the rest of her vocals, especially that “You can be the bass” vocal effect early in the song. Of course, the instrumental is incredible.
  15. Inside Out: Took a while for me to warm to this song. Great production and good verses.
  16. He About To Lose Me: Originally I didn’t like this song, however it has really warmed on me, particularly the lyrics.
  17. How I Roll: Fantastic experimental production. Popping and clapping isn’t really my style. Still a great song.
Britney Jean
  1. Alien: Well-produced instrumental, not-so-good production on vocals, including an annoying glitch. Love the lyrics. Overall, it’s a very dazzling and beautiful song.
  2. Work B**ch: An extremely well-produced, electro-house instrumental. Vocals are clearly Myah’s, but most casual listeners wouldn’t be able to tell the difference. Love the British accent that appears throughout, and the bridge.
  3. Perfume: Britney’s natural vocals are beautiful. Production is also really nice. Sia’s backing vocals work really well. Lyrically, it’s also beautiful.
  4. Brightest Morning Star: The lyrics are beautiful and the meaning is so sweet. Love that Britney is at least present in the verses. Production is pretty good too.
  5. Hold On Tight: I struggle to tell the differences between Britney and Myah in this one, which is better for me because I love the vocals and lyrics. The instrumental is better than most of the album. It’s really soothing.
  6. Don’t Cry: More minimal production would’ve been nice, but I love everything else about this song. Britney’s vocals sound like Perfume and I like the lyrics.
  7. Til It’s Gone: I can’t fault the production, it works really well. There seems to be an odd mix of Britney’s and Myah’s vocals, which is probably my biggest hangup about the song. Wish there was a little more substance to it because it actually could’ve been a good radio song, but overall I like it.
  8. Now That I Found You: I don’t love the pre-chorus and chorus but I don’t hate it. I absolutely love the verses. The intro humorously reminds me of a Coldplay song.
  9. It Should Be Easy (feat. The vocals are completely overproduced. And steals any momentum Britney’s verses had. The beat in the chorus is great, but Britney’s vocals needed to be less processed and should’ve been prevented from recording his subpar voice in the first place.
  10. Body Ache: The fact that it’s so clearly Myah singing is the worst part of the song. The verses have the weirdest lyrics, vocals and instrumental. However, the chorus is really nice and would’ve been way better with the distinctiveness of Britney’s voice.
  11. Passenger: I want to like this song but the electro just needs to go, and I am an electro-addict. Myah is trying so hard to sound like Britney that it really makes the song difficult to listen to. I would like this song more if it had a slower pace and focused mainly on those Oriental sounds, oh and Britney’s vocals too.
  12. Chillin’ With You (feat. Jamie Lynn): This is really a Myah and Jamie Lynn duet. It’s sad because it has so much potential. Production is not the best, should’ve kept it more country. That weird trap sound is awful.
  13. Tik Tik Boom (feat. T.I.): Sounds like a cheap imitation of a Femme Fatale song. Over-the-top production ruins what could’ve been a great song. T.I.’s verse should be burnt with fire.
  1. Change Your Mind (No Seas Cortés): Instant classic, worthy of being a single. How this wasn’t a single is beyond me. Fell in love with it from the first listen.
  2. Hard to Forget Ya: Another classic Britney song. Sassy, sexy, dance-y and confident. One of my favourite Britney songs.
  3. Liar: An overdue middle finger to some certain people. The lyrics are fierce as hell and the chorus is instantly catchy.
  4. Clumsy: This is classic Britney, gets you moving even if you don’t want to. The little “Oops!” is everything. The beat goes hard.
  5. Coupure Électrique: Truely haunting and chilling. Was always the standout track on this album to me. The fact that it is performed entirely in French makes it better.
  6. Mood Ring: The fans brought this one justice, it is an extremely well-produced and hypnotic song. Super smooth and sensual.
  7. If I’m Dancing: Refreshing and interesting. The awesome intro grabs your attention instantly.
  8. Do You Wanna Come Over?: Sexy and moody, this is a classic track. The male vocals can be a little much, but it’s still a fantastic song.
  9. Slumber Party (feat. Tinashe): As a person that hates Reggaeton, this song is amazingly produced and has grown on me a lot. I probably would’ve preferred this as a solo, but Tinashe is still good.
  10. Invitation: A stunning, sensual song that feels more like a fitting album intro.
  11. Make Me... (feat. G-Eazy): Slow and classic, G-Eazy is a collab I could live without but it’s not horrible.
  12. What You Need: Okay, so this song used to remind me of Private Show too much. But now, it’s warmed on me and I appreciate the sass. The “That was fun” makes the song.
  13. Man On the Moon: While it’s not my favourite, it’s still a good song.
  14. Just Luv Me: Smooth, chill jam. Not too sexy, just enough.
  15. Just Like Me: While it’s not really my style, it’s still a good song.
  16. Better: The Latin sound is, again, difficult for me to enjoy.
  17. Love Me Down: Again, I hear Caribbean/Reggaeton-influences, which I don’t like. So this song isn’t to my liking.
  18. Private Show: I really don’t like this song, I can’t get through listening to it.
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2020.06.04 23:22 brightbrides Beautiful Puerto Rican Brides: What Makes Puerto Rican Ladies Stunning Wives?

Beautiful Puerto Rican Brides: What Makes Puerto Rican Ladies Stunning Wives?
Are you looking for an exotic and sexy Latin girl to spend your life with? Meet Puerto Rican women who are known for their beauty with brain qualities! Read on to explore all about Puerto Rican brides and find out if dating a Puerto Rican girl might be the best decision of your life!
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